As an independent beltrunner mining asteroids in the frontier of space, Collier South is a dying breed. Scrounging and cutting corners to work cheap, Collier isn’t a stranger to lean times and make-do repairs; in fact his onboard computer hasn’t had outside maintenance in years and its beginning to show its personal quirks.
When Collier finds an asteroid that shows promise, he thinks he’s bought himself some time. But his claim is stolen out from under him by his vindictive ex-lover and her shiny new corporate ship. Powerless against the omnipotent mining corporations, Collier has always been too stubborn to give-up without a fight. Broke and desperate, Collier has one last chance to land a strike. If he doesn’t come back with ore, he’ll end up destitute and trading his own biologicals for his next meal.
What he discovers in the farthest reaches of the belt has the power to change his life and the fate of the entire system forever. That is, if Collier and his onboard computer can keep his discovery out of corporate hands.
Sean O’Brien is an educator and writer from Southern California. He is married and has two children along with an ever-growing number of animals. He was named Educator of the Year by the California League of High Schools and has been a head varsity football coach, television broadcaster, and Gilbert and Sullivan singer (though not a good one).
The vision behind the DARPA project was to mine the social sciences literature for alternative theories of human behavior, and then formalize, instantiate, and integrate them within the context of an agent-based modeling system. The research team developed an experimental platform to evaluate the conditions under which alternative theories and groups of theories applied. The end result was a proof of concept developed from the ground up of social knowledge that could be used as an informative guide for policy analysis. This book describes in detail the process of designing and implementing a pilot system that helped DARPA assess the feasibility of a computational social science project on a large scale.
But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.
Europa is a magisterial, grave and lyric work from one of the finest poets of the age: it shows not just a Europe haunted by disaster and the threat of apocalypse, but an England where the shadows lengthen and multiply even in its most familiar and domestic corners. Europa, the poet reminds us, shapes the fate of everyone in these islands – even those of us who insist that they live elsewhere.
A librarian cataloguing the manuscripts of a recently deceased horror writer notices one particular box, relating to his most mystical work, has disappeared...
A young academic takes up residency in the former home of an obscure, Dutch poet in order to better understand the strange rumours surrounding his demise...
Sean O’Brien’s stories are all lit with the unmistakable hue of the Victorian gothic: from the rantings of a deranged psychiatric patient, to the apparition of demons swarming into a remote, rural railway station; solemn oaths are broken and need atoning for; minor transgressions are met with outlandish curses. Often we join O’Brien’s protagonists attempting to take time out from their troubles, but removing themselves from their normal lives only lets the supernatural in, and before they know it personal demons find very literal ones to conspire with.
Andrew Marvell was born in Yorkshire in 1624 and was educated in Hull and Cambridge. He became the unofficial laureate to Cromwell and in 1657 he took over from Milton as the Latin Secretary to the Council of State. Famed as a satirist during his lifetime Marvell was a virtually unknown lyric poet until rediscovered in the nineteenth century. However, it was only after the First World War that his poetry gained popularity thanks to the efforts of T. S. Eliot and Sir Herbert Grierson. Marvell died in 1678.