Sheridan Le Fanu
THE POT OF TULIPS, by Fitz-James O'Brien
WHAT WAS IT? by Fitz-James O'Brien
THE HAUNTED SHANTY, by Bayard Taylor
Dr. Martin Hesselius in "GREEN TEA," by Joseph Sheridan Le Fanu
MR JUSTICE HARBOTTLE, by J. Sheridan Le Fanu
THE UNINHABITED HOUSE, by Mrs. J. H. Riddell
THE PHANTOM HEARSE, by Mary Fortune
AYLMER VANCE AND THE VAMPIRE, by Alice and Claude Askew
THE DOOR INTO INFINITY, by Edmond Hamilton
Carnacki in "THE GATEWAY OF THE MONSTER," by William Hope Hodgson
Carnacki in "THE HOUSE AMONG THE LAURELS," by William Hope Hodgson
Carnacki in "THE WHISTLING ROOM," by William Hope Hodgson
Carnacki in "THE HORSE OF THE INVISIBLE," by William Hope Hodgson
Carnacki in "THE SEARCHER OF THE END HOUSE," by William Hope Hodgson
Carnacki in "THE THING INVISIBLE," by William Hope Hodgson
Flaxman Low in "THE STORY OF SADDLER'S CROFT," by E. and H. Heron
Flaxman Low in "THE STORY OF BAELBROW," by E. and H. Heron
Flaxman Low in "THE STORY OF YAND MANOR HOUSE," by E. and H. Heron
Flaxman Low in "THE STORY OF KONNOR OLD HOUSE," by E. and H. Heron
Flaxman Low in "THE STORY OF THE SPANIARDS, HAMMERSMITH," by E. and H. Heron
Flaxman Low in "THE STORY OF SEVENS HALL," by E. and H. Heron
Steve Harrison in "FANGS OF GOLD," by Robert E. Howard
Steve Harrison in "THE TOMB'S SECRET," by Robert E. Howard
Steve Harrison in "NAMES IN THE BLACK BOOK," by Robert E. Howard
Steve Harrison in "GRAVEYARD RATS," by Robert E. Howard
THE HALF-HAUNTED, by Manly Wade Wellman
Jules de Grandin in "THE JEST OF WARBURG TANTAVUL," by Seabury Quinn
Jules de Grandin in "PLEDGED TO THE DEAD," by Seabury Quinn
Jules de Grandin in "INCENSE OF ABOMINATION," by Seabury Quinn
And don't forget to search this ebook store for "Wildside Megapack" to see more great entries in this great series, covering mysteries, ghost stories, westerns, science fiction, historical, and much, much more!
This classic of Gothic horror follows Laura, a woman haunted by a girlhood dream of a beautiful visitor to her bedroom. Now, a decade later, Laura finds Carmilla, who appears to be her own age, on the side of the road after a carriage accident. The two recognize each other from the same childhood dream and become fast friends. Soon after, Laura begins to experience mysterious feelings and is once again haunted by nightmares. She finds Carmilla strangely irresistible and longs to be with her.
But as the two friends grow closer, Laura’s health begins to fail. It becomes apparent that her enchanting companion is harboring a sinister secret. To free herself from Carmilla’s grasp, Laura and her family must fight for their lives.
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The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu.
As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are:
1819 The Vampyre - John Polidori (1795-1821)
1823 Wake Not the Dead - Ernst Raupach
1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870)
1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873)
1826 Pepopukin in Corsica - Arthur Young (1741-1820)
1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832)
1836 Clarimonde - Théophile Gautier (1811-1872)
"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me."
There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture. I say apparent, for in its subject, and not in its handling, however exquisite, consists its real value. The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not that of any religious order. In her hand the figure bears a lamp, by which alone her figure and face are illuminated; and her features wear such an arch smile, as well becomes a pretty woman when practising some prankish roguery; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, in total shadow, stands the figure of a man dressed in the old Flemish fashion, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing.