When Esther Thorel, wife of a master silk weaver, rescues Sara Kemp from a brothel, she thinks she is doing God’s will, but her good deed is not returned. Sara quickly realizes that the Thorel household is built on hypocrisy and lies and soon tires of the drudgery of life as Esther’s new lady’s maid. As the two women’s relationship becomes increasingly fractious, Sara resolves to find out what it is that so preoccupies her mistress ...
Esther has long yearned to be a silk designer. When her early water colors are dismissed by her husband, Elias, as the daubs of a foolish girl, she continues her attempts in secret. It may have been that none of them would ever have become actual silks, were it not for the presence of the extraordinarily talented Bisby Lambert in the Thorel household. Brought in by Elias to weave his master piece on the Thorel’s loom in the attic of their house in Spitalfields, the strange cadence of the loom as Bisby works is like a siren call to Esther. The minute she first sets foot in the garret and sees Bisby Lambert at his loom, marks the beginning of Blackberry and Wild Rose, the most exquisite silk design Spitalfields has ever seen, and the end of the Thorel household’s veneer of perfection.
As unrest among the journeyman silk weavers boils over into riot and rebellion, it leads to a devastating day of reckoning between Esther and Sara.
Sonia Velton has been a solicitor in Hong Kong, a Robert Schuman Scholar in Luxembourg, and spent eight years being a full-time mom of three in Dubai. She now lives in Kent. Her first novel, Blackberry and Wild Rose, tells the story of a fictional household of master silk weavers living in eighteenth-century Spitalfields. The protagonist is loosely inspired by Anna Maria Garthwaite who was the foremost silk designer of the mid-eighteenth century and the title takes its name from an actual silk design. The novel was short-listed as a work in progress for the Lucy Cavendish Fiction Prize 2015 and long-listed for the Myslexia Novel Competition.
When Anna Butterfield's mother dies, she's sent to live with her uncle, a silk merchant in London, to make a good match and provide for her father and sister. There, she meets Henri, a French immigrant and apprentice hoping to become a master weaver. But Henri, born into a lower class, becomes embroiled in the silk riots that break out as weavers protest for a fair wage.
New York Times bestselling author Liz Trenow weaves a luminous tale of class struggle and star-crossed love.
We all make mistakes. Some we can fix.
But what happens when we can't?
Decades ago, as Nazi planes dominated the sky, Lily Verner made a terrible choice. She's tried to forget, but now an unexpected event pulls her back to the 1940s British countryside. She finds herself remembering the brilliant colors of the silk she helped to weave at her family's mill, the relentless pressure of the worsening war, and the kind of heartbreaking loss that stops time.
In this evocative novel of love and consequences, Lily finally confronts the disastrous decision that has haunted her all these years. The Last Telegram uncovers the surprising truth about how the stories we weave about our lives are threaded with truth, guilt, and forgiveness.
"Sparked my interest from the start...charming."-Sharon Knoth, Between the Covers, Harbor Springs, MI
"This book will easily appeal to fans of The Guernsey Literary and Potato Peel Pie Society, and I can see it quickly becoming a favorite of book clubs."-Billie Bloebaum, Powell's Books
Charlotte is learning to control her emerging magical powers under the secret tutelage of Magus Hopkins.
Her first covert mission takes her to a textile mill where the disgruntled workers are apparently destroying expensive equipment.
And if she can’t identify the culprits before it’s too late, her brother will be exiled, and her family dishonoured...
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This beautiful, illuminating tale of hope and courage is based on interviews that were conducted with Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov—an unforgettable love story in the midst of atrocity.
“The Tattooist of Auschwitz is an extraordinary document, a story about the extremes of human behavior existing side by side: calculated brutality alongside impulsive and selfless acts of love. I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.”—Graeme Simsion, internationally-bestselling author of The Rosie Project
In April 1942, Lale Sokolov, a Slovakian Jew, is forcibly transported to the concentration camps at Auschwitz-Birkenau. When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.
Imprisoned for over two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.
One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.
A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.