Mainly in the beginning pages are the images shot in open and bright places, drawing focus towards the details of the subject and landscape. Consequently, this provides an easy insight into the scenery, and leaves little to the imagination. Yet, this notion is juxtaposed with the increasing use of shadows as the book ends. From which, this tests the limits of realism, as the frame’s composition becomes more disguised. Blurred outlines and vague silhouettes begin to haunt the mind, alongside feelings of discomfort and fear. This kind of attention in uncovering hidden corners, may be difficult and invites a timeliness mystery to the photos.
As much as ‘Silence the Shadows’, is a photographic expression of the role of light and shadow, it also plays into the story-telling of an illicit affair. It can be argued that as the viewer, one is required to engage themselves into the creative journey, in order to fully immerse into this additional layer. The narrative follows a journey between two strangers, in which their secret inner lives are traced out in the sequencing of the photographs. Likewise throughout, the glimpse appearance of the mysterious couple, inevitably carry numerous rhetorical questions, and heightens the tension in their story.
However, not all is revealed at the end, inviting the viewer to give their personal meaning. Interestingly, this initial perceptions likely to change as more time passes.