Kayla teams up with Kirby’s best friend, Tate, who seems just as anxious for answers as she does. Kayla struggles with an attraction to the sexy tour guide, but loses the battle while Tate introduces her to the sensuous allure of Jamaica. Before Kayla can catch her breath, she and Tate begin an intoxicating romance that has her dying for more.
As they become closer, Kayla believes her new lover is the only one she can trust to find the truth. However, a shocking development in the case suggests Tate might know more about Kirby’s murder than he lets on.
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Stacy-Deanne (Dee-Anne) is an award-winning, bestselling author of sensual romantic suspense, contemporary romance, and women's fiction books. Her work has been praised and reviewed in USA Today numerously. She loves writing stories that focus on main characters who rarely get the spotlight such as characters with physical disabilities, mental illness, and terminal diseases.
Stacy is known for bringing versatile stories to her readers. With her you never know what you're gonna get, which separates Stacy's work from the pack. Stacy's books are full of passion, thrills, intriguing characters and so much emotion you can't get enough! If you want something different and unpredictable then definitely check out her work.
With Stacy every book is an adventure.
They spend the night together and though she likes Seven, and the sex is great, Kaya lacks an emotional connection with her wealthy suitor and immediately realizes she doesn’t want things to go further.
While having dinner with Seven and his parents, Kaya meets Seven’s best friend Brandon and the two fall hard for each other. Convinced Brandon is her soulmate, Kaya dumps Seven for a chance at true love not knowing it’s a decision she’ll soon regret.
After failed attempts to get her back, Seven declares war on Kaya using every weapon at his disposal, including his money and power, to make her life a living hell.
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Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity."
In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?
The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader.
As the play begins, Vivian Bearing, a renowned professor of English who has
spent years studying and teaching the intricate, difficult Holy Sonnets of the
seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
Jade wants to be with Denny, but can she escape her dangerous past to begin life with a new love?
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