Everything's Eventual: 14 Dark Tales

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A collection of stories, Everything’s Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and “Riding the Bullet,” King’s original ebook, which attracted over half a million online readers and became the most famous short story of the decade.

“Riding the Bullet,” published here on paper for the first time, is the story of Alan Parker, who’s hitchhiking to see his dying mother but takes the wrong ride, farther than he ever intended. In “Lunch at the Gotham Café,” a sparring couple’s contentious lunch turns very, very bloody when the maître d’ gets out of sorts. “1408,” the audio story in print for the first time, is about a successful writer whose specialty is “Ten Nights in Ten Haunted Graveyards” or “Ten Nights in Ten Haunted Houses,” and though Room 1408 at the Dolphin Hotel doesn’t kill him, he won’t be writing about ghosts anymore. And in “That Feeling, You Can Only Say What It Is In French,” terror is déjà vu at 16,000 feet.

Whether writing about encounters with the dead, the near dead, or about the mundane dreads of life, from quitting smoking to yard sales, Stephen King is at the top of his form in the fourteen dark tales assembled in Everything’s Eventual. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.
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Reviews

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185 total
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Additional Information

Publisher
Simon and Schuster
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Published on
Mar 19, 2002
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Pages
416
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ISBN
9780743237048
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Features
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Language
English
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Genres
Fiction / Horror
Fiction / Literary
Fiction / Short Stories (single author)
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Dean Koontz
NEW YORK TIMES BESTSELLER

With this darkly intriguing original e-short story, Dean Koontz sets the stage for his masterly new novel of mystery, suspense, and strange wonder—Innocence.
 
“The world is a machine that produces endless surprises and mysteries layered on mysteries.”
 
Addison Goodheart is a mystery even to himself. He was born in an isolated home surrounded by a deep forest, never known to his father, kept secret from everyone but his mother, who barely accepts him. She is haunted by private demons and keeps many secrets—none of which she dreads more than the young son who adores her.
 
Only in the woods, among the wildlife, is Addison truly welcome. Only there can he be at peace. Until the day he first knows terror, the day when his life changes radically and forever . . .
 
Acclaim for Dean Koontz
 
“A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself.”—Chicago Sun-Times
 
“Tumbling, hallucinogenic prose. ‘Serious’ writers . . . might do well to examine his technique.”—The New York Times Book Review
 
“[Koontz] has always had near-Dickensian powers of description, and an ability to yank us from one page to the next that few novelists can match.”—Los Angeles Times
 
“Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition.”—USA Today
 
“Characters and the search for meaning, exquisitely crafted, are the soul of [Koontz’s] work. . . . One of the master storytellers of this or any age.”—The Tampa Tribune
 
“A literary juggler.”—The Times (London)
Stephen King
A stunning collection from international bestseller Stephen King that displays his phenomenally broad readership (stories published in The New Yorker, Playboy, and McSweeney’s and including the 25,000 word story “Gingerbread Girl” published in Esquire).

Stephen King—who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies—delivers an astonishing collection of short stories, his first since Everything’s Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney’s, The Paris Review, Esquire, and other publications.

Who but Stephen King would turn a Port-O-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating—and then terrifying—journey. Set on a remote key in Florida, “The Gingerbread Girl” is a riveting tale featuring a young woman as vulnerable—and resourceful—as Audrey Hepburn’s character in Wait Until Dark. In “Ayana,” a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, “N.,” which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside...or keep the world from falling victim to it.

Just After Sunset—call it dusk, call it twilight, it’s a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It’s the perfect time for Stephen King.
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