Ohio

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17
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“Extraordinary...beautifully precise...[an] earnestly ambitious debut.”—The New York Times Book Review

“A wild, angry, and devastating masterpiece of a book.”—NPR

“[A] descendent of the Dickensian ‘social novel’ by way of Jonathan Franzen: epic fiction that lays bare contemporary culture clashes, showing us who we are and how we got here.”—O, The Oprah Magazine

One sweltering night in 2013, four former high school classmates converge on their hometown in northeastern Ohio.

There’s Bill Ashcraft, a passionate, drug-abusing young activist whose flailing ambitions have taken him from Cambodia to Zuccotti Park to post-BP New Orleans, and now back home with a mysterious package strapped to the undercarriage of his truck; Stacey Moore, a doctoral candidate reluctantly confronting her family and the mother of her best friend and first love, whose disappearance spurs the mystery at the heart of the novel; Dan Eaton, a shy veteran of three tours in Iraq, home for a dinner date with the high school sweetheart he’s tried desperately to forget; and the beautiful, fragile Tina Ross, whose rendezvous with the washed-up captain of the football team triggers the novel’s shocking climax.

Set over the course of a single evening, Ohio toggles between the perspectives of these unforgettable characters as they unearth dark secrets, revisit old regrets and uncover—and compound—bitter betrayals. Before the evening is through, these narratives converge masterfully to reveal a mystery so dark and shocking it will take your breath away.
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About the author

Stephen Markley is an author, screenwriter, and journalist. A graduate of the Iowa Writer’s Workshop, Markley’s previous books include the novel Ohio, the memoir Publish This Book: The Unbelievable True Story of How I Wrote, Sold, and Published This Very Book, and the travelogue Tales of Iceland. He lives in Los Angeles.

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3.8
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Additional Information

Publisher
Simon and Schuster
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Published on
Aug 21, 2018
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Pages
496
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ISBN
9781501174490
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Language
English
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Genres
Fiction / Coming of Age
Fiction / Literary
Fiction / Small Town & Rural
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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NEVER LET ME GO meets THE GIVER in this haunting debut about a cult on an isolated island, where nothing is as it seems.

A Guardian Best Book of the Year
A Booklist Best Book of the Year
A New York Magazine best book of the month
A Real Simple best book of the month
People Magazine's Book of the Week
Shortlisted for the Arthur C. Clarke Award

Years ago, just before the country was incinerated to wasteland, ten men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.

The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.

Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.

GATHER THE DAUGHTERS is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.
A tender affair and the redemptive power of art are at the core of this compelling novel from National Book Award finalist Allegra Goodman, “a romantic realist who dazzles with wit [and] compassion” (The Wall Street Journal).

Collin James is young, creative, and unhappy. A college dropout, he waits tables and spends his free time beautifying the streets of Cambridge, Massachusetts, with his medium of choice: chalk. Collin’s art captivates passersby with its vibrant colors and intricate lines—until the moment he wipes it all away. Nothing in Collin’s life is meant to last. Then he meets Nina. . . .

The daughter of a tech mogul who is revolutionizing virtual reality, Nina Lazare is trying to give back as a high school teacher—but her students won’t listen to her. When Collin enters her world, he inspires her to think bigger. Nina wants to return the favor—even if it means losing him.

Against this poignant backdrop, Allegra Goodman paints a tableau of students, neighbors, and colleagues: Diana, a teenage girl trying to make herself invisible; her twin brother, Aidan, who’s addicted to the games produced by Nina’s father; and Daphne, a viral-marketing trickster who unites them all, for better or worse.

Wise, warm, and enchanting, The Chalk Artist is both a finely rendered portrait of modern love and a celebration of all the realms we inhabit: real and imagined, visual and virtual, seemingly independent yet hopelessly tangled.

Praise for The Chalk Artist

“The virtual world Goodman conjures is as feverishly vivid as it is mysterious and alluring. Not since I pushed my way through C. S. Lewis’s fusty mothballed wardrobe and stepped out into the frozen, pine-scented forests of Narnia can I remember being so effectively transported into a viscerally, sometimes terrifyingly plausible alternate universe. . . . This is a novel full of wit and spark. . . . Irresistible and arresting.”—The New York Times Book Review

“Enjoyably sharp dialogue and convincing portraits of multiple mindsets and terrains . . . One can’t help but marvel at how Goodman has captured the atmosphere of this virtual fantasy land so effectively in words.”—NPR

“Mesmerizing depictions of virtual-reality landscapes of ‘Neverwhen’ and ‘Underworld’ make the games’ dangerous power over one of Nina’s students very real.”—People

“Goodman’s latest combines fantastical flourishes (an imagined video game called ‘Underworld’) and realistic Cambridge details . . . in a narrative about art and ambition.”—The Boston Globe

“Allegra Goodman creates suspense where you might least expect to find it.”—The Atlantic
WINNER OF THE 2019 EDGAR FOR BEST FIRST NOVEL

“Bearskin is visceral, raw, and compelling—filled with sights, smells, and sounds truly observed.  It’s a powerful debut and an absolute showcase of exceptional prose.  There are very few first novels when I feel compelled to circle brilliant passages, but James McLaughlin’s writing had me doing just that.” —C.J. Box, #1 NYT bestselling author of The Disappeared

Rice Moore is just beginning to think his troubles are behind him. He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary—perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.

More bears are killed on the preserve and Rice’s obsession with catching the poachers escalates, leading to hostile altercations with the locals and attention from both the law and Rice’s employers. Partnering with his predecessor, a scientist who hopes to continue her research on the preserve, Rice puts into motion a plan that could expose the poachers but risks revealing his own whereabouts to the dangerous people he was running from in the first place.

James McLaughlin expertly brings the beauty and danger of Appalachia to life. The result is an elemental, slow burn of a novel—one that will haunt you long after you turn the final page.

“A fluent, mordant, authentic, propulsive narrative wonderfully lit from within by an intriguing main character...The Texas of the novel...has been written about before, and very well. Kennedy rises to the challenge and succeeds so well that Larry McMurtry and James Lee Burke have offered their praise.”
—Lee Child, The New York Times Book Review

Set in the 1970s in the vast and arid landscape of the Texas panhandle, this darkly comic and stunningly mature literary debut tells the story of a car thief and his brother who set out to recover some stolen money and inadvertently kidnap a Mennonite girl who has her own reasons for being on the run.

Troy Falconer returns home after years of working as a solitary car thief to help his younger brother, Harlan, search for his wife, who has run away with the little money he had. When they steal a station wagon for the journey, the brothers accidentally kidnap Martha Zacharias, a Mennonite girl asleep in the back of the car. Martha turns out to be a stubborn survivor who refuses to be sent home, so together these unlikely road companions attempt to escape across the Mexican border, pursued by the police and Martha’s vengeful father.

The story is told partly through Troy’s journal, in which he chronicles his encounters with con artists, down-and-outers, and roadside philosophers, people looking for fast money, human connection, or a home long since vanished. The journal details a breakdown that has left Troy unable to function in conventional society; he is reduced to haunting motels, stealing from men roughly his size, living with their possessions in order to have none of his own and all but disappearing into their identities.

With a page-turning plot about a kidnapped child, gorgeously written scenes that probe the soul of the American West, and an austere landscape as real as any character, Presidio packs a powerful punch of anomie, dark humor, pathos, and suspense.
Winner of the NYPL Young Lions Prize, Winner of the Kirkus Prize, A PEN/Hemingway Finalist, A New York Times Notable Book of 2018, An Indie Next Selection

A Best Book of 2018 at Elle, Marie Claire, Refinery29, Bustle, Buzzfeed, BookPage, Bookish, Mental Floss, Chicago Review of Books, HuffPost, Electric Literature, Amazon Editors', A.V. Club, Jezebel, Vulture

"A fierce debut from a writer with seemingly boundless imagination. . . A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." —Michael Schaub, NPR.org

Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend.

So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.

Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?

A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

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