Set in Bangladesh at a time when Islamic fundamentalism ison the rise, The Good Muslim is an epic story about faith, familyand the long shadow of war. Tahmima Anam, the prize-winning author of A Golden Age, offers a moving portrait of a sister and brother whostruggle with the competing loyalties of love and belief as they cope with thelasting ravages of war and confront the deeply intimate roots of religiousextremism. Echoingthe intensity and humanity of Thrity Umrigar’s The SpaceBetween Us, Abraham Verghese’s Cutting for Stone, and Kiran Desai’s TheInheritance of Loss,Anam’s “accomplished and gripping novel,” in thewords of author Pankaj Mishra, “describes not only the tumult of a greathistorical event, but also the small but heroic struggles of individuals livingin the shadow of revolution and war.”
Tahmima Anam is an anthropologist and a novelist. Her debut novel, A Golden Age, won the 2008 Commonwealth Writers Prize for Best First Book. In 2013, she was named one of Granta’s Best Young British Novelists. She is a contributing opinion writer for the New York Times and was a judge for the 2016 International Man Booker Prize. Born in Dhaka, Bangladesh, she was educated at Mount Holyoke College and Harvard University, and now lives in Hackney, East London.
Set against the backdrop of the Bangladesh War of Independence, A Golden Age is a story of passion and revolution; of hope, faith, and unexpected heroism in the midst of chaos—and of one woman's heartbreaking struggle to keep her family safe.
At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. As dusk deepens to night, he begins the tale that has brought them to this fateful encounter . . .
Changez is living an immigrant’s dream of America. At the top of his class at Princeton, he is snapped up by an elite valuation firm. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore. But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. And Changez’s own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.
On the eve of her departure to find the bones of the walking whale—the fossil that provides a missing link in our evolution—Zubaida Haque falls in love with Elijah Strong, a man she meets in a darkened concert hall in Boston. Their connection is immediate and intense, despite their differences: Elijah belongs to a prototypical American family; Zubaida is the adopted daughter of a wealthy Bangladeshi family in Dhaka. When a twist of fate sends her back to her hometown, the inevitable force of society compels her to take a very different path: she marries her childhood best friend and settles into a traditional Bangladeshi life.
While her family is pleased by her obedience, Zubaida seethes with discontent. Desperate to finally free herself from her familial constraints, she moves to Chittagong to work on a documentary film about the infamous beaches where ships are destroyed, and their remains salvaged by locals who depend on the goods for their survival. Among them is Anwar, a shipbreaker whose story holds a key that will unlock the mysteries of Zubaida’s past—and the possibilities of a new life. As she witnesses a ship being torn down to its bones, this woman torn between the social mores of her two homes—Bangladesh and America—will be forced to strip away the vestiges of her own life . . . and make a choice from which she can never turn back.