Lorraine Devon Wilke is an accomplished writer in several genres, a Chicago native, and third of eleven children. In 2010 she launched her “arts & politics” blog, Rock+Paper+Music, and since 2011 she has been a popular contributor at HuffPost and other news and media sites. Known for her “sass and sensibility,” her work has been reprinted and excerpted in academic tomes, nonfiction books, and literary journals; a catalogue of select articles can be found at Contently.com. Both her award-wining novels, After The Sucker Punch and Hysterical Love, are available at Amazon and Barnes & Noble. After leaving Illinois with a rock band heading west, Devon Wilke landed in Los Angeles, where she still lives with her husband, attorney/writer/producer, Pete Wilke. She’s working on a fourth novel, a rock-and-roll dramedy titled A Minor Rebellion, while continuing her endeavors as a photographer, singer/songwriter, and actress. To learn more, visit www.lorrainedevonwilke.com.
A Father's Law is the novel Richard Wright, acclaimed author of Black Boy and Native Son, never completed. Written during a six-week period near the end of his life, it appears in print for the first time, an important addition to this American master's body of work, submitted by his daughter and literary executor, Julia, who writes:
It comes from his guts and ends at the hero's "breaking point." It explores many themes favored by my father like guilt and innocence, the difficult relationship between the generations, the difficulty of being a black policeman and father, the difficulty of being both those things and suspecting that your own son is the murderer. It intertwines astonishingly modern themes for a novel written in 1960.
From the New York Times bestselling author of Commonwealth and State of Wonder, comes Ann Patchett’s most powerful novel to date: a richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are.
At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.
The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures.
Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.
The Grey sisters have always been close. After their mother's death, the girls banded together, becoming best friends. Their stern, disapproving father cares less about his children than about his reputation. To Henry Grey, appearances are everything, and years later, he still demands that his daughters reflect his standing in the community.
Winona, the oldest, needs her father's approval most of all. An overweight bookworm who never felt at home on the sprawling horse ranch that has been in her family for three generations, she knows that she doesn't have the qualities her father values. But as the best lawyer in town, she's determined to someday find a way to prove her worth to him.
Aurora, the middle sister, is the family peacemaker. She brokers every dispute and tries to keep them all happy, even as she hides her own secret pain.
Vivi Ann is the undisputed star of the family. A stunningly beautiful dreamer with a heart as big as the ocean in front of her house, she is adored by all who know her. Everything comes easily for Vivi Ann, until a stranger comes to town. . . .
In a matter of moments, everything will change. The Grey sisters will be pitted against one another in ways that none could have imagined. Loyalties will be tested and secrets revealed, and a terrible, shocking crime will shatter both their family and their beloved town.
With breathtaking pace and penetrating emotional insight, True Colors is an unforgettable novel about sisters, rivalry, forgiveness, redemption---and ultimately, what it means to be a family.
Lyn, Cat, and Gemma Kettle, beautiful thirty-three-year-old triplets, seem to attract attention everywhere they go. Together, laughter, drama, and mayhem seem to follow them. But apart, each is dealing with her own share of ups and downs. Lyn has organized her life into one big checklist, Cat has just learned a startling secret about her marriage, and Gemma, who bolts every time a relationship hits the six-month mark, holds out hope for lasting love. In this wise, witty, and hilarious novel, we follow the Kettle sisters through their tumultuous thirty-third year as they deal with sibling rivalry and secrets, revelations and relationships, unfaithful husbands and unthinkable decisions, and the fabulous, frustrating life of forever being part of a trio.