We know that the Common Core State Standards are encouraging you to reevaluate the books that you assign to your students. To help you decide which books are right for your classroom, each free ebook in this series contains a Common Core–aligned teaching guide and a sample chapter.
This free teaching guide for Our Town by Thornton Wilder is designed to help you put the new Common Core State Standards into practice.
"Taking as his material three periods in the history of a placid New Hampshire town, Mr. Wilder has transmuted the simple events of human life into universal reverie. He has given familiar facts a deeply moving, philosophical perspective. . . . Our Town is one of the finest achievements of the current stage."—Brooks Atkinson
Our Town was first produced and published in 1938 to wide acclaim. This Pulitzer Prize-winning drama of life in the town of Grover 's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play.
Thornton Wilder (1897-1975) was an accomplished novelist and playwright whose works, exploring the connection between the commonplace and cosmic dimensions of human experience, continue to be read and produced around the world. His Bridge of San Luis Rey, one of seven novels, won the Pulitzer Prize in 1928, as did two of his four full-length dramas, Our Town (1938) and The Skin of Our Teeth (1943). Wilder's The Matchmaker was adapted as the musical Hello, Dolly!. He also enjoyed enormous success with many other forms of the written and spoken word, among them teaching, acting, the opera, and films. (His screenplay for Hitchcock's Shadow of Doubt  remains a classic psycho-thriller to this day.) Wilder's many honors include the Gold Medal for Fiction from the American Academy of Arts and Letters, the Presidential Medal of Freedom, and the National Book Committee's Medal for Literature.
Amy Jurskis, the author of these teaching materials, holds a B.A. in English from the University of Georgia and a MAT from Agnes Scott College. A former department chair for language arts in a title one public school in Atlanta, she currently serves as a chairperson of curriculum and English teacher at Oxbridge Academy of the Palm Beaches.
Time magazine called The Skin of Our Teeth "a sort of Hellzapoppin' with brains," as it broke from established theatrical conventions and walked off with the 1943 Pulitzer Prize for Best Drama. Combining farce, burlesque, and satire (among other styles), Thornton Wilder departs from his studied use of nostalgia and sentiment in Our Town to have an Eternal Family narrowly escape one disaster after another, from ancient times to the present. Meet George and Maggie Antrobus (married only 5,000 years); their two children, Gladys and Henry (perfect in every way!); and their maid, Sabina (the ageless vamp) as they overcome ice, flood, and war -- by the skin of their teeth.
Our Town was first produced and published in 1938 to wide acclaim. This Pulitzer Prize-winning drama of life in the small village of Grover's Corners, an allegorical representation of all life, has become a classic. It is Thornton Wilder's most renowned and most frequently performed play.
Horace Vandergelder, a wealthy old merchant residing in Yonkers has decided it’s time to take a wife and hires a matchmaker. But Dolly Gallagher Levi is no ordinary matchmaker. She’s a force of nature, with a plan of her own. Levi soon becomes involved in the affairs of the hearts of all those around her—including Vandergelder’s niece, his store clerks, assorted young and lovely ladies, and the headwaiter at an expensive restaurant, where this swift farce inevitably runs headlong into hilarious complications. Indeed, after a series of slapstick situations involving mistaken identities, a secret rendezvous behind carefully placed screens, separated lovers, and a trip to night court—everyone involved eventually finds themselves paired with a perfect match.
A delightful, deliciously funny classic by Thornton Wilder, The Matchmaker is astonishingly modern and is sure to resonate with audiences and readers today.
“Loud, slap dash and uproarious...extraordinarily original and funny."—New York Times