Ashes of Foreverland: A Science Fiction Thriller
About this ebook
But he planned it that way.
The final piece of his vision falls into place when Alessandra Diosa investigates the crimes of Foreverland. Tyler will use her to create a new dimension of reality beyond anything his son ever imagined—a Foreverland for the entire world.
Danny, living outside of Spain since escaping the very first Foreverland, begins receiving mysterious clues that lead him to Cyn. They are both Foreverland survivors, but they have more in common than survival. They become pieces of another grand plan, one designed to stop Tyler Ballard. No one knows who is sending the clues, but some suspect Reed, another Foreverland survivor. Reed, however, is dead.
Everyone will make one last trip back to Foreverland to find out who sent them. And why.
INTERVIEW WITH THE AUTHOR
HOW IMPORTANT ARE NAMES TO YOU IN THIS BOOK. DID YOU CHOOSE THEM BASED ON SOUND OR MEANING?
Almost all of my books have names with special meaning, some foreshadowing a big twist. In The Annihilation of Foreverland, Reed’s name was symbolic of his ability to tolerate suffering, bending in the face of gale forces but never breaking.
WHERE DOES YOUR TOMORROW SPRING FROM? IN OTHER WORDS, HOW DID YOU COME UP WITH THE CRAZY WORLD?
Sometimes, I can’t remember how the story started by the time I get to the end. The Annihilation of Foreverland started with the premise of identity. I wanted to write it as a YA book in the science fiction dystopia genre in a way that slowly unfolded as well as questioned who we are and explore our fear of death, and what we’re willing to do to avoid it. Like all of my stories, it does have a romantic angle mixed into the action. Because it should.
GIVE YOUR BOOK THE BECHDEL TEST. IT HAS TO HAVE AT LEAST TWO (NAMED) WOMEN IN IT WHO TALK TO EACH OTHER ABOUT SOMETHING BESIDES A MAN.
I failed because there’s only one female in The Annihilation of Foreverland. However, the young adult sequel (Foreverland is Dead) passes with flying colors since its mostly female characters that rarely talk about men.
WHAT SORT OF BODY COUNT ARE WE TALKING HERE?
The bodies die, but not necessarily the characters. Chew on that a second.
DO YOU WANT YOUR TOMORROW TO MAKE IT BIG, AS IN JK ROWLINGS-BIG? WHY OR WHY NOT?
Believe it or not, no. Don’t get me wrong, I’d like to make enough cash to pay off this house and send my kids to college, but I’ll pass on fame and fortune. Anonymity is a blessing.
YOU CAST YOUR CHARACTERS FOR A MOVIE. WHO MAKES IT?
In The Annihilation of Foreverland, I only casted two characters in my head while I was writing it. The Director is Jeff Bridges and Mr. Jones is Anthony Hopkins. It was like watching a movie as I wrote.
HAVE YOU WRITTEN IN ANY OTHER GENRES BESIDES YA DYSTOPIAN? WHAT DREW YOU TO YOU THIS GENRE?
I’ve been fascinated by consciousness, identity and what this all means since I was young. I would read my grandfather’s science fiction books with elements of artificial intelligence and alternate realities and wonder what happened when they died? I suppose that’s why all of my writing deals with the big mysteries of life in one way or another. In a way, I write for my own exploration, in a sort of thought experiment approach, pulling apart our identities, exploring what makes us who we are. If I lost my memories, would I still be me? If I had my body parts replaced with synthetic replications, at what point would I not be me? Do I even need a body?
What am I?
A few years ago, I figured I’d write a romance novel. Since all of my books have a romantic element, I thought it would be fun. Halfway through the novel, I found myself thinking more and more about the next project—a dystopian idea. So 40,000 words in, I scrapped the romance novel and got back to what I love. Science fiction.
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About the author
During the day, I'm a horticulturist. While I've spent much of my career designing landscapes or diagnosing dying plants, I've always been a storyteller. My writing career began with magazine columns, landscape design textbooks, and a gardening column at the Post and Courier (Charleston, SC). However, I've always fancied fiction.
My grandpa never graduated high school. He retired from a steel mill in the mid-70s. He was uneducated, but he was a voracious reader. I remember going through his bookshelves of paperback sci-fi novels, smelling musty old paper, pulling Piers Anthony and Isaac Asimov off shelf and promising to bring them back. I was fascinated by robots that could think and act like people. What happened when they died?
I'm a cynical reader. I demand the writer sweep me into his/her story and carry me to the end. I'd rather sail a boat than climb a mountain. That's the sort of stuff I want to write, not the assigned reading we got in school. I want to create stories that kept you up late.
Having a story unfold inside your head is an experience different than reading. You connect with characters in a deeper, more meaningful way. You feel them, empathize with them, cheer for them and even mourn. The challenge is to get the reader to experience the same thing, even if it's only a fraction of what the writer feels. Not so easy.
In 2008, I won the South Carolina Fiction Open with Four Letter Words, a short story inspired by my grandfather and Alzheimer's Disease. My first step as a novelist began when I developed a story to encourage my young son to read. This story became The Socket Greeny Saga. Socket tapped into my lifetime fascination with consciousness and identity, but this character does it from a young adult's struggle with his place in the world.
After Socket, I thought I was done with fiction. But then the ideas kept coming, and I kept writing. Most of my work investigates the human condition and the meaning of life, but not in ordinary fashion. About half of my work is Young Adult (Socket Greeny, Claus, Foreverland) because it speaks to that age of indecision and the struggle with identity. But I like to venture into adult fiction (Halfskin, Drayton) so I can cuss. Either way, I like to be entertaining.
And I'm a big fan of plot twists.