Perfection has arrived.
Synthetic stem cells mean no more organ failure, no more pharmaceuticals. No cancer. The human race is stronger, smarter and prettier. Is it better?
Cali Richards is a nanobiometric engineer who has been her younger brother’s guardian since their parents died. She’s lost too many people in her life to lose another. When the government declares the Halfskin Laws will shut down anyone with too many synthetics, she decides to hide him. But even brilliance can succumb to the pressure of suffering. And synthetics can’t cure insanity.
Follow their twisting, slippery grip on reality as they strive to find happiness in a world that has everything it could possibly want.
REVIEWS FOR HALFSKIN
“This, quite frankly, is one of the best books I’ve read.” –John Gregory Hancock, Reviewer
“WOW.” –Amanda Taylor, Reviewer
“I was not expecting the twists…” – Reviewer
“Hated finishing this book… many hours of enjoyment.” –Eleanor Wendlberger, Reviewer
“Halfskin is one of the best science fiction stories I’ve read this year.” –ACFlory, Reviewer
“Twisty turny, unexpectedness!!!!!! LOVED THE BOOK!” –Aisha-Kimberly Hashmi, Reviewer
“One of the best stories i[sic] have read in a long time!” Brian, Reviewer
“I was absolutely hooked from page 1!” – Reviewer
Underground Reviews 2015 Top Pick Award
More by Tony BertauskiSee more
Blake Barnes commits suicide by freezing on Mt. Hood. As his life fades, he assumes Death has come to him in the form of a young man. In his last moments, he asks Death to find his family, to tell them he's sorry. Drayton honors this last request as he absorbs Blake Barnes' waning essence. He travels to the Lowcountry of South Carolina to find his family. But saying sorry is not always as easy as the words imply. Drayton seeks to unravel the mess Blake Barnes has left behind and the predator he's unleashed on his family.
INTERVIEW WITH THE AUTHOR
Did you ever think you’d write about vampires?
Nope. Drayton came out of nowhere when I was at a community theatre production of Dracula. I figured that an immortal vampire would more likely become compassionate and wise as he grew older. Twilight put a different spin on the vampire genre, much different than Nosferatu. Drayton’s nothing like Twilight. Or Nosferatu.
What's a downside to writing a character similar that's similar to you?
Predictable. Boring. If every book I write is similar, it ceases to surprise the reader. That’s what I loved about Drayton, he was just the opposite of me. This paranormal being was fearless not out of bravado but the wisdom brought about by countless years of immortality. I called him a vampire because it was the word that fit him the best in his early years, but he became something much for that. Whatever a vampire becomes after the gore and bloodsucking, sort of like the caterpillar and butterfly.
Do your characters ever resemble you in your beliefs?
Some do. But there are others that are just fun to go the other way, especially antagonists. I do find it interesting, even courageous, when authors can write very demented, sick and twisted antagonists. It’s very revealing to show the world what’s bouncing around in your head.
What do you think is the most important aspect of writing a character?
Letting him or her grow in my head. It’s when I’m driving to work, taking a shower, or lying in bed that they come to life. It’s also one of the most gratifying elements of writing. I’ve enjoyed letting this vampire walk through my mind, leaving his short stories behind.
He's a pawn in a larger conflict with no memory of where he was before coming online. His exoskeletal armor forces him into combat. Only when he engages free will does he break out of automode.
And things get weird.
Hunted by the cleaners, he transports to other worlds. It's not till he's captured does he understand what he really is.
And how to truly escape.
This is an introduction to the The Socket Greeny Saga, a heady trip into an alternate universe where a strange and introverted teenager discovers life is more than virtualmode gaming. The world isn't safe.
And all of reality is in danger.