The Ultimate Book of Business Skills is a great addition to the Capstone Reference series. It features a user-friendly format with real-life examples designed to transform anyone into a rounded businessperson with an impressive range of skills-based knowledge at their fingertips.
In a fast-paced and entertaining style, three luminaries of the DevOps movement deliver a story that anyone who works in IT will recognize. Readers will not only learn how to improve their own IT organizations, they'll never view IT the same way again.
Do you know what hearing loss sounds like? I do.
All my life I’ve tried to be like you. I’ve failed.
So I keep it hidden.
But on the day my world crashed down around me, Reed was there.
He showed me just how loud and vibrant silence can be, even when I struggled to understand.
He’s unlike anyone I’ve ever known. His soulful eyes and strong hands pulled me in before I knew what was happening.
And as I saw those hands sign, felt them sparking on me, I knew: imperfect could be perfect.
Reed makes me feel things I’ve never felt. It’s exciting . . . and terrifying.
Because he sees me like no one else has, and I’m afraid of what he’ll find if he looks too closely.
The only thing that scares me more than being with him? Letting him go.
An Avon Romance
In Homeless Dogs and Melancholy Apes, Laura Brown shows how the literary works of the eighteenth century use animal-kind to bring abstract philosophical, ontological, and metaphysical questions into the realm of everyday experience, affording a uniquely flexible perspective on difference, hierarchy, intimacy, diversity, and transcendence. Writers of this first age of the rise of the animal in the modern literary imagination used their nonhuman characters—from the lapdogs of Alexander Pope and his contemporaries to the ill-mannered monkey of Frances Burney's Evelina or the ape-like Yahoos of Jonathan Swift—to explore questions of human identity and self-definition, human love and the experience of intimacy, and human diversity and the boundaries of convention. Later literary works continued to use imaginary animals to question human conventions of form and thought.
Brown pursues this engagement with animal-kind into the nineteenth century—through works by Mary Shelley, Charles Dickens, and Elizabeth Barrett Browning—and into the twentieth, with a concluding account of Paul Auster's dog-novel, Timbuktu. Auster's work suggests that—today as in the eighteenth century—imagining other animals opens up a potential for dissonance that creates distinctive opportunities for human creativity.