Angels in America: A Gay Fantasia on National Themes: Revised and Complete Edition

Theatre Communications Group
8
Free sample

A revised edition of one of the most influential plays of our time, published with a new foreword by the author.
Read more
Collapse
4.9
8 total
Loading...

Additional Information

Publisher
Theatre Communications Group
Read more
Collapse
Published on
Jan 16, 2014
Read more
Collapse
Pages
304
Read more
Collapse
ISBN
9781559367691
Read more
Collapse
Read more
Collapse
Read more
Collapse
Language
English
Read more
Collapse
Genres
Drama / American / General
Drama / LGBT
History / United States / 20th Century
Social Science / LGBT Studies / Gay Studies
Read more
Collapse
Content Protection
This content is DRM protected.
Read more
Collapse
Read Aloud
Available on Android devices
Read more
Collapse

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
This book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.
Reviving the Tribe creates a rich and brutally honest portrait of contemporary gay men’s lives amidst the seemingly endless AIDS epidemic and offers both autobiographical self-examination and a relentless critique of current sexual politics within the gay community. Fearlessly confronting the horrors experiences by surviving gay men without giving way to hopelessness, denial, or blame, Reviving the Tribe offers an inspiring blueprint for the gay community which faces a continuing spiral of disaster.In Reviving the Tribe, Author Eric Rofes argues that a return to the interrupted agenda of gay liberation may provide long-term motivation to keep gay men alive and spur rejuvenation of new generations of gay culture. By interweaving social history, psychology, anthropology, epidemiology, sociology, feminist theory, and sexology with his own journey through the epidemic, Rofes provides a moving and compelling argument for stepping out of the “state of emergency” and embracing a life beyond disease. He boldly offers a plan for community regeneration focused on restoring mental health, reclaiming sexuality, and mending the social fabric of communal gay life. Rofes asks unspoken questions lurking in gay men’s minds and suggests answers to these questions, hitting such controversial topics as: gay men’s sex cultures of the 1970s why “educated” gay men continue to become HIV-infected changing forms of gay masculinity the opening of new sex clubs and bathhouses leaving “rage activism” behind links between the Holocaust and AIDS unacknowledged roots in the feminist movement of gay men’s AIDS response mass denial of chronic trauma among gay menThe refusal to confront the ever-intensifying manifestations of AIDS has seriously endangered the foundation of contemporary gay communities. Rofes argues that many gay men suffer from the ”disaster syndrome,” a psychologically determined response that defends individuals against being overwhelmed by traumatic experience. In Reviving the Tribe, he provides a radical critique of contemporary gay political culture and suggests alternatives which offer the opportunity to face history, grapple with decimation, and regenerate communal life.Cautioning that an honest analysis of recent gay history and urban cultures promises neither to stop gay men’s suffering nor to end continuing HIV infections, Reviving the Tribe provides gay men with a clear lens through which they might scrutinize their lives, come to a new understanding of the epidemic’s impact on their generation, and redirect activism. This courageous and inspiring work brings Rofes’commanding intellect and twenty years of grassroots gay activism to bear on the challenging task of reconstructing gay life in the new mellennium. Reviving the Tribe is filled with insight of special interest to gay men, lesbians involved in the mixed lesbian/gay movement, sociologists, public health workers, psychologists, counselors, sex educators, religious leaders, and AIDS prevention policymakers searching for fresh vision.
“There are moments in the history of theatre when stagecraft takes a new turn. I like to think that this happened for the American musical last week, when Tony Kushner’s Caroline, or Change (at the Public), a collaboration with composer Jeanine Tesori and the director George C. Wolfe, bushwhacked a path beyond the narrative end of the deconstructed, overfreighted musicals of the past thirty years.”—John Lahr, The New Yorker

Louisiana, 1963: A nation reeling from the burgeoning Civil Rights Movement and the Kennedy assassination. Caroline, a black maid, and Noah, the son of the Jewish family she works for, struggle to find an identity for their friendship. Through their intimate story, this beautiful new musical portrays the changing rhythms of a nation. Tony Kushner and composer Jeanine Tesori have created a story that addresses contemporary questions of culture, community, race and class through the lens and musical pulse of the 1960s.

Tony Kushner is best known for the two-part masterwork, Angels in America, recently produced by HBO as a six-hour television event, directed by Mike Nichols to universal acclaim. His other plays include Homebody/Kabul, A Bright Room Called Day and Slavs!; as well as adaptations of Corneille’s The Illusion, Ansky’s The Dybbuk, Brecht’s The Good Person of Szechuan and Goethe’s Stella. Current projects include: Henry Box Brown or The Mirror of Slavery and St. Cecilia or The Power of Music. He recently collaborated with Maurice Sendak on an American version of the children’s opera, Brundibar. He grew up in Lake Charles, Louisiana, and he lives in New York.

Jeanine Tesori wrote the score for Thoroughly Modern Millie, which won the 2002 Tony and Drama Desk Awards for Best Musical and the multiple-award-winning Violet.

©2019 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.