‘There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land.’
Featuring ‘The Legend of Sleepy Hollow’ and ‘Rip Van Winkle’, this collection of inspired essays, stories and sketches established Washington Irving’s reputation as one of America’s foremost authors. Irving’s timeless characters, including Ichabod Crane, Rip Van Winkle and the headless Hessian trooper, jostle for space alongside 31 equally atmospheric and lyrical works in this haunting anthology from one of America’s most distinctive literary voices.
This edition of The Legend of Sleepy Hollow includes an Introduction and Afterword by Charles L. Grant.
Sleepy Hollow is a strange little place...some say bewitched. Some talk of its haunted valleys and streams, the ghostly woman in white, eerie midnight shrieks and howls, but most of all they talk of the Headless Horseman. A huge, shadowy soldier who rides headless through the night, terrifying unlucky travellers.
Schoolteacher Ichabod Crane is fascinated by these stories....Until late one night, walking home through Wiley's swamp, he finds that maybe they're not just stories.
What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands?
And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
And here, before setting forth, let me indulge in a few previous remarks on Spanish scenery and Spanish travelling. Many are apt to picture Spain to their imaginations as a soft southern region, decked out with the luxuriant charms of voluptuous Italy. On the contrary, though there are exceptions in some of the maritime provinces, yet, for the greater part, it is a stern, melancholy country, with rugged mountains, and long sweeping plains, destitute of trees, and indescribably silent and lonesome, partaking of the savage and solitary character of Africa. What adds to this silence and loneliness, is the absence of singing-birds, a natural consequence of the want of groves and hedges. The vulture and the eagle are seen wheeling about the mountain-cliffs, and soaring over the plains, and groups of shy bustards stalk about the heaths; but the myriads of smaller birds, which animate the whole face of other countries, are met with in but few provinces in Spain, and in those chiefly among the orchards and gardens which surround the habitations of man.
In the interior provinces the traveller occasionally traverses great tracts cultivated with grain as far as the eye can reach, waving at times with verdure, at other times naked and sunburnt, but he looks round in vain for the hand that has tilled the soil. At length he perceives some village on a steep hill, or rugged crag, with mouldering battlements and ruined watchtower: a stronghold, in old times, against civil war, or Moorish inroad; for the custom among the peasantry of congregating together for mutual protection is still kept up in most parts of Spain, in consequence of the maraudings of roving freebooters.
In old magazines and forgotten journals, Andrew read well over 100 fantasy short stories and settled on the very best for this fantasy anthology. He provides a list, at the back of the collection, of the stories considered along with the author and year of publication. Andrew further includes background introductions to each story and author photos, where available. But his treatment of some of the earliest stories in the genre gets even better with annotations of the stories, which allow readers to peek behind the stories.
Middle Unearthed, an Introduction — Andrew Barger
1836 “The Story of the Goblins Who Stole a Sexton” — Charles Dickens
1839 “The Kelpie Rock” — Joseph Holt Ingraham
1831 “Transformation” — Mary Shelley
1819 “Rip Van Winkle” — Washington Irving
1824 “Lilian of the Vale” — George Darley
1835 “The Doom of Soulis” — John MacKay Wilson
1827 “The Dwarf Nose” — Wilhelm Hauff
1829 “Seddik Ben Saad the Magician” — D.C.
1845 “The Witch Caprusche” — Elizabeth F. Ellet
1837 “The Pale Lady” — George Soane
Fantasy Short Stories Andrew Considered
Take a wondrous journey into the early unknown and read the 10 best fantasy stories from 1800-1849 today.