Fourteen on Form: Conversations with Poets

Univ. Press of Mississippi
Free sample

Poets include:
Willis Barnstone
Robert Conquest
Wendy Cope
Douglas Dunn
Anthony Hecht
John Hollander
Donald Justice
X. J. Kennedy
Maxine Kumin
Frederick Morgan
John Frederick Nims
W. D. Snodgrass
Derek Walcott
Richard Wilbur

When free verse and its many movements seemed to dominate poetry, other writers worked steadfastly, insistently, and majestically in traditional forms of rhyme and meter.

Such poets as Anthony Hecht, Donald Justice, Derek Walcott, and Richard Wilbur used sonnets, villanelles, blank verse, and many other forms to create dazzling, lasting work. Their writing posed a counterpoint to free verse, sustained a tradition in English language verse, and eventually inspired the movement called New Formalism.

"Fourteen on Form: Conversations with Poets" collects interviews with some of the most influential poets of the last fifty years. William Baer, editor of "The Formalist" asks incisive questions that allow writers to discuss in detail a wide range of topics related to their work, methods of composition, and the contemporary poetry scene.

Maxine Kumin reflects on being a woman poet during a period in which women were not encouraged to submit to journals. With clarity and passion, Walcott remembers the impetus of his famous "Eulogy to W. H. Auden." British poet Wendy Cope talks about the differences between how her barbed poems are received in England and abroad. The conversations return continually to the serious matter of poetic craft, especially the potential power of form in poetry.

These well-paced conversations showcase poets discussing their creative lives with insight and candor. The sum total of their forthright opinions in "Fourteen on Form" not only elucidates the current situation of the art form but also serves as a primer for understanding the fundamental craft of poetics.

William Baer is a professor of English at the University of Evansville and the editor of "The Formalist." He edited "Elia Kazan: Interviews and Conversations" with Derek Walcott (both published by University Press of Mississippi).

Read more

About the author

WILLIAM BAER has taught film and screenwriting at the University of Evansville for the past fifteen years. He is currently the film critic at Crisis, and for years his work has appeared regularly in Creative Screenwriting. A recent Guggenheim recipient (2007), he has also received a Fulbright (Portugal) and an N.E.A. Creative Writing Grant in fiction. His twelve books include Elia Kazan: Interviews; Luis de Camoes: Selected Sonnets; and The Unfortunates, for which he received the T.S. Eliot Poetry award.

Read more
Loading...

Additional Information

Publisher
Univ. Press of Mississippi
Read more
Published on
Dec 2, 2004
Read more
Pages
265
Read more
ISBN
9781604736229
Read more
Read more
Best For
Read more
Language
English
Read more
Genres
Language Arts & Disciplines / Authorship
Language Arts & Disciplines / General
Literary Criticism / Poetry
Read more
Content Protection
This content is DRM free.
Read more

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
Have you ever wanted to write a book?
Have you started to write your book, but weren't able to finish?
Are you ready to learn how to get a book published?
Discover inside secrets to:
- Writing a book fast
- Where and how to start writing your book
- Finding the time in your busy life to write and finish a book
Publishing a book the easy way
Achieving real and practical writing results
This book is for those of us who want to write regardless of what others say about our ability to write. It is for those of us who want a step-by-step guide to the process and strategies to finishing and publishing a book. The book is specially formulated to be a tool to support your success. If you want to avoid mistakes and prevent costly pitfalls, whether those pitfalls be measured in time and/or money wasted, then this book is for you. This book is all about achieving real and practical writing results.
You will only become a writer/author through the act of writing. This is your golden opportunity to stop talking about writing a book and actually do it. Only when your book is finished will you truly understand the authority and respect authorship demands and how the title of "author' can open up new channels of achievement and profit.
Learn How to Write a Book Outline
In Garrett Pierson's book "How to Write a Book ASAP" you'll find the system to creating a book outline that guarantees your success. Writing a book outline is essential to your book writing and publishing success and the process that Garrett lays out is by far the best for any author to follow.
Need to Write Your Book Fast?
Whether you want to write a book in a weekend or you desire to learn how to write a book in 30 days, 60 days, 90 days or even two years, this book will show you the exact steps to finishing your book fast. You will find all the right ingredients to get started, why you shouldn't start writing until you're ready, detailed strategies to organization and self-control, a crash course in the basic writing process, clear steps to finishing your book fast and staying laser focused, traditional publishing vs. Self-publishing and what is right for you, how to become the authority in your market when your book is finished, plus much more!
When reading this book you'll also discover:
How everyday people just like you and I, have finished and published their book in record time...
The ONE skill you need to master ... To leapfrog confusing details, and get started FAST...
How to craft a proven time management system to create all the time you need to write your book...
How you can finish your book in as little as 30 days using a 7-step system that really works...
5 roadblocks that 97% of writers encounter and how to overcome them immediately...
The BIGGEST MYTH of writing a book flattened and debunked instantly...
A multi-channel market positioning technique that can skyrocket you from no one to famous in no time at all...
And Much More...
You've waited long enough. Let's get started, you'll be glad you did!
Learn how to write a book ASAP. Click the buy button today.
 In William Baer’s Times Square and Other Stories, there are everyday characters walking extraordinary paths for love; there are smart, skillful characters struggling to reconcile their viewpoints and convictions with the status quo in fields such as art, education, the cinema and religious doctrine. There is baseball and the story of the skills, training and ethics of pitching in the big leagues. And there is war and an enemy invasion juxtaposed with a do-or-die chess game. The stories take us coast to coast from New York to LA, away to South America, and overseas to Eastern and Western Europe. This is a fun-filled, fact-filled collection that smoothly melds scholarship with the everyday for unique, fresh, and highly intelligent stories, which are also highly entertaining.

PRAISE FOR TIMES SQUARE AND OTHER STORIES:

How wonderful to come across such a serious collection of short stories! Not “serious” as in boring and tendentious; but serious as in grown-up, broadminded, large-hearted, sharply observed, and dryly, obliquely funny. Bill Baer’s fiction kicks ass.
            — Pinckney Benedict, author of Town Smoke

As elegantly written as they are inventive, the short stories in Times Square and Other Stories engage the reader all the way from the title piece, an ambitious tale that draws upon art, love, and the complex beauty of the human narrative, through eight other works that touch upon the timeless questions of what it means to create and to act, to be and to pretend. Baer’s collection achieves that Horatian goal so sorely lacking in much of contemporary fiction—informing while delighting at the same time. The obligation to craft is taken very seriously in these pages, but the effort that undoubtedly went into their composition could easily be overlooked due to the skill with which they are rendered, and the degree to which they are enjoyed.
            — A.G. Harmon, author of A House All Stilled

Times Square and Other Stories, William Baer’s twice-measured fictions, channel the reflecting reflections of James and Borges back into our self-conscious consciousness. Like the four-story signs plastering the “real” Times Square, these signs sing themselves, maps as detailed as the things they represent. These fictions resuscitate Poe’s unities of effects, breathing life back into the simulacrum of life. I loved this book; it can’t help but blurb itself!
            — Michael Martone, author of Four for a Quarter


 On the bridge over Paterson's Great Falls, a retired state trooper is murdered by a girl in a grammar school uniform. The victim was the beloved uncle of Jack Colt, a private investigator descended from the inventor of the revolver. While investigating his uncle’s murder, Colt realizes that it is intertwined with two other cases of his. These involve the family secrets of extremely powerful New Jersey figures, including the governor, a judge, and a mob boss.

  In New Jersey Noir, William Baer reinvigorates the detective genre while exploring the Garden State's rich cultural history, glamor, and gore. Baer's novel is fast-paced and utterly gripping, brimming with intrigue and suspense.

PRAISE FOR NEW JERSEY NOIR:

An accomplished poet, playwright, and short-story writer, William Baer has turned to crime, creating a brilliant debut novel, the hard-boiled whodunit New Jersey Noir. If you’re looking for classic noir elements, you’ll find them here, in spades. And you’ll find fine literary elements here, as well: precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place. More than anything else, New Jersey Noir is a loving tribute to the Garden State by a writer who appreciates its grime as much as its glory.
  - Hollis Seamon (Jersey girl, born and raised), author of Somebody Up There Hates You

Not since Donna Tartt’s The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer’s New Jersey Noir-a book so compelling that I was forced to drop everything and commit myself for several hours to experiencing, vicariously, the strange and haunted darkness that is the shadow world of this novel. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. Baer’s writing is taut and gut-wrenching. New Jersey Noir and Baer’s talent presage a brilliant career for this wonderfully gifted writer.
  - Terri Brown-Davidson, author of Marie, Marie, Hold On Tight

Jack Colt, the private investigator in William Baer’s New Jersey Noir, romances the genre to the suspenseful effect that JJ “Jake” Gittes achieves in Roman Polanski’s acclaimed Chinatown. In place of technicolor LA, however, Baer evokes a cinematic chiaroscuro New Jersey, specifically Paterson, its history and politics limned over a baseline of Springsteen, doo-wop, and Whitney Houston. In the early pages of this compelling mystery when Colt muses that his fellow detective, Luca Salerno, “was tough all right, but not tough enough to look into the heart of darkness,” the allusion to Joseph Conrad alerts us that we are in for a more trenchant narrative than a gumshoe and dames thriller. Baer fulfills by deftly executing the universal themes of incest, adultery, madness, and undisguised evil rising out of the swamps of the Meadowlands and beyond.
  - Dennis Must, author of Hush Now, Don’t Explain

 In William Baer’s Times Square and Other Stories, there are everyday characters walking extraordinary paths for love; there are smart, skillful characters struggling to reconcile their viewpoints and convictions with the status quo in fields such as art, education, the cinema and religious doctrine. There is baseball and the story of the skills, training and ethics of pitching in the big leagues. And there is war and an enemy invasion juxtaposed with a do-or-die chess game. The stories take us coast to coast from New York to LA, away to South America, and overseas to Eastern and Western Europe. This is a fun-filled, fact-filled collection that smoothly melds scholarship with the everyday for unique, fresh, and highly intelligent stories, which are also highly entertaining.

PRAISE FOR TIMES SQUARE AND OTHER STORIES:

How wonderful to come across such a serious collection of short stories! Not “serious” as in boring and tendentious; but serious as in grown-up, broadminded, large-hearted, sharply observed, and dryly, obliquely funny. Bill Baer’s fiction kicks ass.
            — Pinckney Benedict, author of Town Smoke

As elegantly written as they are inventive, the short stories in Times Square and Other Stories engage the reader all the way from the title piece, an ambitious tale that draws upon art, love, and the complex beauty of the human narrative, through eight other works that touch upon the timeless questions of what it means to create and to act, to be and to pretend. Baer’s collection achieves that Horatian goal so sorely lacking in much of contemporary fiction—informing while delighting at the same time. The obligation to craft is taken very seriously in these pages, but the effort that undoubtedly went into their composition could easily be overlooked due to the skill with which they are rendered, and the degree to which they are enjoyed.
            — A.G. Harmon, author of A House All Stilled

Times Square and Other Stories, William Baer’s twice-measured fictions, channel the reflecting reflections of James and Borges back into our self-conscious consciousness. Like the four-story signs plastering the “real” Times Square, these signs sing themselves, maps as detailed as the things they represent. These fictions resuscitate Poe’s unities of effects, breathing life back into the simulacrum of life. I loved this book; it can’t help but blurb itself!
            — Michael Martone, author of Four for a Quarter


©2018 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.