From the day they first met at Yale Law School, Bill and Hillary were inseparable, even though their relationship was inherently volatile. The personal dynamic between them would go on to determine their political fates. Hillary was instrumental in Bill's triumphs as Arkansas's governor and saved his presidential candidacy in 1992 by standing with him during the Gennifer Flowers sex scandal. He responded by delegating to her powers that no other First Lady had ever exercised. Always tempestuous, their relationship had as many lows as it did highs, from near divorce to stunning electoral and political successes.
Chafe's many insights—into subjects such as health care, Kenneth Starr, welfare reform, and the extent to which the Lewinsky scandal finally freed Hillary to become a politician in her own right and return to the consensus reformer she had been in college and law school—add texture and depth to our understanding of the Clintons' experience together. The latest book from one of our preeminent historians, Bill and Hillary is the definitive account of the Clintons' relationship and its far-reaching impact on American political life.
William H. Chafe is the Alice Mary Baldwin Professor of History at Duke University and the former president of the Organization of American Historians. The author of numerous prizewinning books on civil rights, women's history, and politics, he is best known, most recently, for The Unfinished Journey: America Since World War II and Private Lives / Public Consequences: Personality and Politics in Modern America.
With extraordinary access to the West Wing, Michael Wolff reveals what happened behind-the-scenes in the first nine months of the most controversial presidency of our time in Fire and Fury: Inside the Trump White House.
Since Donald Trump was sworn in as the 45th President of the United States, the country—and the world—has witnessed a stormy, outrageous, and absolutely mesmerizing presidential term that reflects the volatility and fierceness of the man elected Commander-in-Chief.
This riveting and explosive account of Trump’s administration provides a wealth of new details about the chaos in the Oval Office, including:
-- What President Trump’s staff really thinks of him
-- What inspired Trump to claim he was wire-tapped by President Obama
-- Why FBI director James Comey was really fired
-- Why chief strategist Steve Bannon and Trump’s son-in-law Jared Kushner couldn’t be in the same room
-- Who is really directing the Trump administration’s strategy in the wake of Bannon’s firing
-- What the secret to communicating with Trump is
-- What the Trump administration has in common with the movie The Producers
Never before in history has a presidency so divided the American people. Brilliantly reported and astoundingly fresh, Fire and Fury shows us how and why Donald Trump has become the king of discord and disunion.
“Essential reading.”—Michael D’Antonio, author of Never Enough: Donald Trump and the Pursuit of Success, CNN.com
“Not since Harry Potter has a new book caught fire in this way...[Fire and Fury] is indeed a significant achievement, which deserves much of the attention it has received.”—The Economist
Winding through the streets of working-class San Juan with Cortijo’s funeral procession, Rodríguez Juliá’s autobiographical chronicle provides a rare portrait of the impoverished society from which Cortijo’s music emerged. Along with detailed renderings of grief-stricken mourners—including Cortijo’s childhood friend and fellow musician, the celebrated singer Ismael ("Maelo") Rivera—Rodríguez Juliá records his feelings as he, a light-skinned, middle-class writer, confronts the world of poor black Puerto Ricans. The author’s masterful shifting of linguistic registers, his acute sensitivity to Puerto Rican social codes, his broad knowledge of popular music, and his sardonic ruminations on death and immortality make this one of the most widely read books of modern Puerto Rican literature. Well-known critic and cultural historian Juan Flores has provided a scrupulous translation of Rodríguez Juliá’s text and an introduction situating the book in relation to Puerto Rican music and culture and the careers of Cortijo and Rodríguez Juliá.
Chris Matthews, MSNBC: "A beautifully written book."
Shaun King: “I kid you not–I think it’s the most important book I’ve read all year...It’s not just informative and enlightening; it tells a story of an essential moment in history.”
Harry Belafonte says: “Dyson has finally written the book I always wanted to read. I had the privilege of attending the meeting he has insightfully written about, and it’s as if he were a fly on the wall...a tour de force...a poetically written work that calls on all of us to get back in that room and to resolve the racial crises we confronted more than fifty years ago.”
Joy-Ann Reid says: A work of searing prose and seminal brilliance... Dyson takes that once in a lifetime conversation between black excellence and pain and the white heroic narrative, and drives it right into the heart of our current politics and culture, leaving the reader reeling and reckoning."
Robin D. G. Kelley says:“Dyson masterfully refracts our present racial conflagration through a subtle reading of one of the most consequential meetings about race to ever take place. In so doing, he reminds us that Black artists and intellectuals bear an awesome responsibility to speak truth to power."
President Barack Obama says: "Everybody who speaks after Michael Eric Dyson pales in comparison.”
In 2015 BLM activist Julius Jones confronted Presidential candidate Hillary Clinton with an urgent query: “What in your heart has changed that’s going to change the direction of this country?” “I don’t believe you just change hearts,” she protested. “I believe you change laws.”
The fraught conflict between conscience and politics – between morality and power – in addressing race hardly began with Clinton. An electrifying and traumatic encounter in the sixties crystallized these furious disputes.
In 1963 Attorney General Robert Kennedy sought out James Baldwin to explain the rage that threatened to engulf black America. Baldwin brought along some friends, including playwright Lorraine Hansberry, psychologist Kenneth Clark, and a valiant activist, Jerome Smith. It was Smith’s relentless, unfiltered fury that set Kennedy on his heels, reducing him to sullen silence.
Kennedy walked away from the nearly three-hour meeting angry – that the black folk assembled didn’t understand politics, and that they weren’t as easy to talk to as Martin Luther King. But especially that they were more interested in witness than policy. But Kennedy’s anger quickly gave way to empathy, especially for Smith. “I guess if I were in his shoes...I might feel differently about this country.” Kennedy set about changing policy – the meeting having transformed his thinking in fundamental ways.
There was more: every big argument about race that persists to this day got a hearing in that room. Smith declaring that he’d never fight for his country given its racist tendencies, and Kennedy being appalled at such lack of patriotism, tracks the disdain for black dissent in our own time. His belief that black folk were ungrateful for the Kennedys’ efforts to make things better shows up in our day as the charge that black folk wallow in the politics of ingratitude and victimhood. The contributions of black queer folk to racial progress still cause a stir. BLM has been accused of harboring a covert queer agenda. The immigrant experience, like that of Kennedy – versus the racial experience of Baldwin – is a cudgel to excoriate black folk for lacking hustle and ingenuity. The questioning of whether folk who are interracially partnered can authentically communicate black interests persists. And we grapple still with the responsibility of black intellectuals and artists to bring about social change.
What Truth Sounds Like exists at the tense intersection of the conflict between politics and prophecy – of whether we embrace political resolution or moral redemption to fix our fractured racial landscape. The future of race and democracy hang in the balance.