Immediately behind this individual, came a pale, poverty-stricken woman, whose forlorn aspect contrasted strongly with his plump and comfortable physiognomy. She was dressed in a tattered black stuff gown, discoloured by various stains, and intended, it would seem, from the remnants of rusty crape with which it was here and there tricked out, to represent the garb of widowhood, and held in her arms a sleeping infant, swathed in the folds of a linsey-woolsey shawl.
Notwithstanding her emaciation, her features still retained something of a pleasing expression, and might have been termed beautiful, had it not been for that repulsive freshness of lip denoting the habitual dram-drinker; a freshness in her case rendered the more shocking from the almost livid hue of the rest of her complexion. She could not be more than twenty; and though want and other suffering had done the work of time, had wasted her frame, and robbed her cheek of its bloom and roundness, they had not extinguished the lustre of her eyes, nor thinned her raven hair. Checking an ominous cough, that, ever and anon, convulsed her lungs, the poor woman addressed a few parting words to her companion, who lingered at the doorway as if he had something on his mind, which he did not very well know how to communicate.
Not that the last-adopted denomination had any reference, as might be supposed, to the three huge wooden instruments on the wharf, employed with ropes and pulleys to unload the lighters and other vessels that brought up butts and hogsheads of wine from the larger craft below Bridge, and constantly thronged the banks; though, no doubt, they indirectly suggested it. The Three Cranes depicted on the large signboard, suspended in front of the tavern, were long-necked, long-beaked birds, each with a golden fish in its bill.