Writing About Nature: A Creative Guide, Revised Edition.

UNM Press
Free sample

Originally published by the Sierra Club in 1995, this handbook has already helped thousands of aspiring writers, scholars, and students share their experiences with nature and the outdoors. Using exercises and examples, John Murray covers genres, techniques, and publication issues. He uses examples from such masters as Barry Lopez, Annie Dillard, Larry McMurtry, Edward Abbey, Ernest Hemingway, and Henry David Thoreau. Also included are recommended readings, a directory of creative writing programs, professional organizations for writers, and a directory of environmental organizations. This revised edition includes a new chapter on nature writing and environmental activism.

"Nature is our grandest and oldest home, older than language, grander than consciousness. John Murray knows that in his bones, and he shares his knowledge generously with anyone who opens this book. Whether you write about the earth for publication or only for deepening your perceptions, you will find keen-eyed guidance here." - Scott Russell Sanders, author of Staying Put

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About the author

John A. Murray is the author or editor of forty books, including Cinema Southwest, which received the Southwest Book Award, and Mythmakers of the West, recipient of the Colorado Book Award. He lives in Denver.

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Additional Information

Publisher
UNM Press
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Published on
Dec 15, 2003
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Pages
216
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ISBN
9780826330864
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Language
English
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Genres
Language Arts & Disciplines / Composition & Creative Writing
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Content Protection
This content is DRM protected.
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Available on Android devices
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Jacob F. Rivers III has collected twenty-two classic hunting tales by twelve southern writers including Davey Crocket, Johnson J. Hooper, and Henry Clay Lewis. These stories spring not only from a genteel literary tradition but also from the tradition of the tall tale or stories of backwoods humor. Antebellum and post–Civil War tales reflect changes in the social and economic composition of the hunting class in the South. Some reveal themes of fear for the future of field sports, and others demonstrate an early conservation ethic among hunters and landowners. Early Southern Sports and Sportsmen brings to new readers a wealth of hunting and fishing lore heretofore hard to find by any but scholars in the field of southern literature. Rivers has gathered a host of well-read and well-heeled sportsmen who relish each and every detail of their encounters with their environment. Sports authors come from every spectrum of southern society, but their common vocabulary and shared enthusiasm bond them together. Rivers corrects unfortunate stereotypes of hunters as indifferent to aspects of nature other than environmental exploitation. Whether humorists or serious advocates, these authors reveal their sense of their place in the wild, and many advocate ecological good citizenship that disdains wanton slaughter and unethical practices. They condemn such acts as beneath the dignity and honor of true sportsmen. The collection includes accounts of hunting many types of game indigenous to the South from 1830 to 1910, from aristocratic foxhunts to yeoman deer drives. The structure is largely chronological, beginning with John James Audubon’s essay on the American wild turkey from his Ornithological Biography (1832) and ending with stories from Alexander Hunter’s The Huntsman in the South (1908). Whatever their era, the chief characteristics of these sporting accounts are the excitement the authors experience upon suddenly encountering game, the rigors and hardships they endure in its pursuit, their keen powers of observation of the woods and waters through which they travel, and the comedy often found in the strong friendships that frequently mark their adventures. But above all the tales resonate with a reverence for field sports as the means through which humans establish meaningful and lasting relationships with the mysteries and the magic of nature.
"The spell of Alaska," Ella Higginson wrote in 1908, "falls upon every lover of beauty who has voyaged along those far northern snow-pearled shores...or who has drifted down the mighty rivers of the interior which flow, bell-toned and lonely, to the sea....No writer has ever described Alaska; no one writer ever will; but each must do his share, according to the spell that the country casts upon him." In A Republic of Rivers, John Murray offers the first comprehensive anthology of nature writing in Alaska and the Yukon, ranging from 1741 to the present. Many of the writers found here are major figures--John Muir, Jack London, Annie Dillard, Barry Lopez, and Edward Abbey--but we also discover the voices of missionaries, explorers, mountain-climbers, Native Americans, miners, scientists, backpackers, and fishermen, each trying to capture something of the beauty of this still pristine land, to render in their own words the spell that the country casts upon them. The range of viewpoints is remarkable. With Annie Dillard we look out at ice floes near the remote Barter Island and see "what newborn babies must see: nothing but senseless variations of light on the retinas." With Frederick Litke we mourn the senseless slaughter of sea mammals. We join scientist Adolph Murie, the father of wolf ecology, as he probes the daily life of an East Fork wolf pack. And we listen as Tlingit Indian Johnny Jack relates the difficulty of maintaining a dignified life close to nature at a time of cultural upheaval for his people. Most of these selections have never appeared in any anthology and some entries--particularly those written by early American and Russian explorers--have never been available to general readers. There is laughter here and there is sorrow, but finally there is communion and liberation as generation after generation encounter the unsurpassed beauty and wildness of the Arctic. Taken together, these forty-nine men and women provide a unique portrait of America's final frontier.
With more than three-quarters of a million copies sold since its first publication, The Craft of Research has helped generations of researchers at every level—from first-year undergraduates to advanced graduate students to research reporters in business and government—learn how to conduct effective and meaningful research. Conceived by seasoned researchers and educators Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams, this fundamental work explains how to find and evaluate sources, anticipate and respond to reader reservations, and integrate these pieces into an argument that stands up to reader critique.

The fourth edition has been thoroughly but respectfully revised by Joseph Bizup and William T. FitzGerald. It retains the original five-part structure, as well as the sound advice of earlier editions, but reflects the way research and writing are taught and practiced today. Its chapters on finding and engaging sources now incorporate recent developments in library and Internet research, emphasizing new techniques made possible by online databases and search engines. Bizup and FitzGerald provide fresh examples and standardized terminology to clarify concepts like argument, warrant, and problem.

Following the same guiding principle as earlier editions—that the skills of doing and reporting research are not just for elite students but for everyone—this new edition retains the accessible voice and direct approach that have made The Craft of Research a leader in the field of research reference. With updated examples and information on evaluation and using contemporary sources, this beloved classic is ready for the next generation of researchers.
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