Queen Victoria most certainly left a legacy—under her rule as the longest reigning female monarch in history. But what was she really like? To be a young woman in a time when few other females held positions of power was to lead in a remarkable age—and because Queen Victoria kept personal journals, this historical novel from award-winning author Carolyn Meyer shares authentic emotional insight along with accurate information, weaving a fascinating story of intrigue and romance.
Queen Victoria inherited the throne at 18 and went on to become the longest-reigning female monarch in history, in a time of intense industrial, cultural, political, scientific and military change within the United Kingdom and great imperial expansion outside of it (she was made Empress of India in 1876). Overturning the established picture of the dour old lady, this is a fresh and engaging portrait from one of our most talented royal biographers.
Jane Ridley is Professor of Modern History at Buckingham University, where she teaches a course on biography. Her previous books include The Young Disraeli; a study of Edwin Lutyens, The Architect and his Wife, which won the 2003 Duff Cooper Prize; and the best-selling Bertie: A Life of Edward VII. A Fellow of the Royal Society for Literature, Ridley writes for the Spectator and other newspapers, and has appeared on radio and several television documentaries. She lives in London and Scotland.
This is a fascinating portrait of the queen, both before and during her reign, by one of the 20th century's most influential women writers. Making extensive use of Victoria's Letters and journal, Edith Sitwell brings alive the queen's relationships with her family and those surrounding the court. She also provides a vivid record of social conditions in Victoria's England.
"One of the best biographies of this or any other year...it is a work of literary art, exquisitely written, and interesting from beginning to end." -The Washington Post
BONUS: This edition contains a reader's guide.
It was the most influential marriage of the nineteenth century–and one of history’ s most enduring love stories. Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account.
The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.
As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect.
As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.
“Victoria the Queen, Julia Baird’s exquisitely wrought and meticulously researched biography, brushes the dusty myth off this extraordinary monarch.”—The New York Times Book Review (Editor’s Choice)
When Victoria was born, in 1819, the world was a very different place. Revolution would threaten many of Europe’s monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public’s expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger tracts of the globe. In a world where women were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand.
Fifth in line to the throne at the time of her birth, Victoria was an ordinary woman thrust into an extraordinary role. As a girl, she defied her mother’s meddling and an adviser’s bullying, forging an iron will of her own. As a teenage queen, she eagerly grasped the crown and relished the freedom it brought her. At twenty, she fell passionately in love with Prince Albert of Saxe-Coburg and Gotha, eventually giving birth to nine children. She loved sex and delighted in power. She was outspoken with her ministers, overstepping conventional boundaries and asserting her opinions. After the death of her adored Albert, she began a controversial, intimate relationship with her servant John Brown. She survived eight assassination attempts over the course of her lifetime. And as science, technology, and democracy were dramatically reshaping the world, Victoria was a symbol of steadfastness and security—queen of a quarter of the world’s population at the height of the British Empire’s reach.
Drawing on sources that include fresh revelations about Victoria’s relationship with John Brown, Julia Baird brings vividly to life the fascinating story of a woman who struggled with so many of the things we do today: balancing work and family, raising children, navigating marital strife, losing parents, combating anxiety and self-doubt, finding an identity, searching for meaning.
Praise for Victoria: The Queen
“In Baird’s deft portrayal, Victoria lives, breathes, and struts before us in all her complexity. . . . On a geopolitical level, Baird’s sweeping historical portrait also illuminates just how interconnected the European royal families were during this time. . . . Historical astuteness aside, the pages gallop along enhanced by titillating morsels of info.”—Esquire
“A vivid portrait of one of England’s longest-reigning monarchs.”—Entertainment Weekly
“[A] success from start to finish . . . [Baird’s] Victoria is a vivid, visceral creature. . . . Baird also does a lively, excellent job of detailing Victoria’s later years. . . . [She] paints a touching picture of those final decades, during which Victoria strove to feel alive despite the fact that the great love of her life was dead.”—The Christian Science Monitor
“Like the best biographers, Baird writes like a novelist, and her book is crammed with irresistible detail and description.”—The Seattle Times
When King William dies, his teenage niece Victoria becomes queen. In spite of her youth and lack of experience, the eighteen-year-old surprises her detractors by taking the reins with poise and grace, vowing to always put the welfare of her realm first. Yet from the moment she meets her cousin, the handsome, fair-haired Albert, she becomes obsessed by love. Homesick for Germany, Albert wishes the petite, birdlike creature would choose someone else. But when Victoria asks him to share her life, he has no choice but to say yes.
Evelyn Anthony’s novel captures Victoria’s passion for Albert, along with the contradictions in her personality and monstrous ego that almost destroyed her marriage. Although she bore Albert nine children, Victoria lacked maternal instinct. In many ways she mirrored the callous indifference of the era: Child labor and grueling fourteen-hour workdays were commonplace in Victorian England. Spanning the first twenty-one years of her reign, Victoria and Albert is a love story and a revealing portrait of a marriage.
First published in 1975, these chapters in the life of Edward the Rake are dealt with frankly and light-heartedly. It is the story of a man who enjoyed himself and his indelicate advantages to the full, it is a penetrating and yet not unsympathetic portrait of the monarch and of the discreetly swinging social world that he created around him.
Beatrice was the last child born to Queen Victoria and Prince Albert. Her father died when she was four and Victoria came to depend on her youngest daughter absolutely, and also demanded from her complete submission. Victoria was not above laying it down regally even with her own children. Beatrice succumbed to her mother's obsessive love, so that by the time she was in her late teens she was her constant companion and running her mother's of?ce, which meant that when Victoria died her daughter became literary executor, a role she conducted with Teutonic thoroughness. And although Victoria tried to prevent Beatrice even so much as thinking of love, her guard slipped when Beatrice met Prince Henry of Battenberg. Sadly, Beatrice inherited from her mother the hemophilia gene, which she passed on to two of her four sons and which her daughter Victoria Eugenia, in marrying Alfonso XIII of Spain, in turn passed on to the Spanish royal family. This new examination will restore her to her proper prominence---as Queen Victoria's second consort.
After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later.
Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince's life and the first long, dark ten years of the Queen's retreat from public view. She draws a portrait of a queen obsessed with her living husband and – after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince's chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.