Winlock Press
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Annie Brown's life could use some renovation. If only her dead mother would let her happy ending happen . . . 

 Annie's in trouble at work, her ex-boyfriend is stalking her, and she's just inherited her late mother's dilapidated Victorian home in Denver. The last thing she needs in her life is a man ... but when handyman Mike Tolbert comes to fix her dishwasher, all that changes.

 Mike doesn't exactly need the distraction of a relationship himself. A combat veteran of the Iraq war, Mike suffers from post-traumatic stress disorder. His wife left him, and he's struggling to make ends meet while still providing for his young daughter. Yet something about Annie snags his heart and he finds he cannot walk away from her.

 As Mike and Annie build a relationship, they discover Annie's late mother hasn't exactly left the house – and she's certainly not leaving them alone. In fact, she's more than willing to cross the barrier between the worlds to control her daughter's life.

 With the ghost of her mother haunting them, Mike and Annie face his PTSD, her troubles at work, legal battles over the house, and a deadly plot to force Annie out of her childhood home as they fight to keep their love alive.


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About the author

 B.T. Clearwater started writing at the age of fourteen, and completed a first novel by seventeen. B.T. edited the literary magazine of Lake George Central High School in upstate New York, and was awarded Literary Student of the Year in 1984. Following high school, B.T. earned a Bachelor's degree in English from the University of Nebraska at Omaha, and went on to earn a Masters of Fine Arts in Creative Writing from Western State Colorado University, specializing in popular genre fiction. B.T. has traveled the world, from Europe to Asia and all over North America, studying both cultures and languages. Having studied German, Korean, and Japanese gives B.T. a unique outlook on the power of language, and the differences in storytelling around the world. B.T. has published stories under various pen names in the genres of fantasy, science fiction, horror, western, and paranormal romance. B.T. Clearwater currently lives in Colorado.

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Additional Information

Winlock Press
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Published on
Sep 7, 2016
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Fiction / Ghost
Fiction / Romance / General
Fiction / Romance / Paranormal / General
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Content Protection
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Ancient feuds...finding a happily ever after can be a real nightmare for the modern witch.


As the future prima, or head witch of her clan, Angela McAllister is expected to bond with her consort, her soul mate, during her twenty-first year, thus ensuring that she will come into her full powers at the appointed time. The clock is ticking down, and her consort has yet to make an appearance. Instead, her dreams are haunted by a man she’s never seen, the one she believes must be her intended match.

But with time running out, and dark forces attempting to seize her powers for their own, Angela is faced with a terrible choice: give up her dreams of the man she may never meet and take the safer path, or risk leaving her clan and everyone in it at the mercy of those who seek their ruin.


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The solution to her dilemma lies somewhere in the past—her own, and that of the woman who cast the curse so many years before. Angela’s quest to find the answers she needs will transform the lives of everyone she knows, Wilcox and McAllister alike, and will forever change everything she has ever believed about herself.

The Witches of Cleopatra Hill is a paranormal romance series set in the ghost town of Jerome, Arizona.


The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented

Named One of the Ten Best Books of the Year by The Washington Post, USA Today, and Maureen Corrigan, NPR • One of Time’s Ten Best Novels of the Year • A New York Times Notable Book

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.

From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.

Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

“A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review

“A masterpiece.”—Zadie Smith
The tale of The Wolf Gift continues . . .

In Anne Rice’s surprising and compelling best-selling novel, the first of her strange and mythic imagining of the world of wolfen powers (“I devoured these pages . . . As solid and engaging as anything she has written since her early Vampire Chronicles fiction”—Alan Cheuse, The Boston Globe; “A delectable cocktail of old-fashioned lost-race adventure, shape-shifting, and suspense”—Elizabeth Hand, The Washington Post), readers were spellbound as Rice conjured up a daring new world set against the wild and beckoning California coast.

Now in her new novel, as lush and romantic in detail and atmosphere as it is sleek and steely in storytelling, Anne Rice takes us once again to the rugged coastline of Northern California, to the grand mansion at Nideck Point, and further explores the unearthly education of her transformed Man Wolf.

The novel opens on a cold, gray landscape. It is the beginning of December. Oak fires are burning in the stately flickering hearths of Nideck Point. It is Yuletide.
For Reuben Golding, now infused with the Wolf Gift and under the loving tutelage of the Morphenkinder, this promises to be a Christmas like no other . . .

The Yuletide season, sacred to much of the human race, has been equally sacred to the Man Wolves, and Reuben soon becomes aware that they, too, steeped in their own profound rituals, will celebrate the ancient Midwinter festival deep within the verdant richness of Nideck forest.

From out of the shadows of Nideck comes a ghost—tormented, imploring, unable to speak yet able to embrace and desire with desperate affection . . . As Reuben finds himself caught up with—and drawn to—the passions and yearnings of this spectral presence, and as the swirl of preparations reaches a fever pitch for the Nideck town Christmas festival of music and pageantry, astonishing secrets are revealed; secrets that tell of a strange netherworld, of spirits other than the Morphenkinder, centuries old, who inhabit the dense stretches of redwood and oak that surround the magnificent house at Nideck Point, “ageless ones” who possess their own fantastical ancient histories and who taunt with their dark magical powers . . .
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