Let's Hear Their Voices: Cuban American Writers of the Second Generation

SUNY Press
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The first anthology of poetry, prose, and drama by second-generation Cuban American writers.


Let’s Hear Their Voices brings together works by ten distinguished and emerging Cuban American writers of the “second generation”—writers who were born between 1960 and the mid-1980s in the United States to Cuban parents or have a mixed ethnic background. Called “ABCs” (American-Born Cubans) or“AmeriCubans,” these writers experiment with different formal approaches and lace their work with Cuban Spanish to give voice to hybrid identities and cultural legacies within the contemporary multicultural United States. An introduction by Iraida H. López identifies key tropes in their poetry, prose, and drama, and provides an overview of Cuban American literature since the 1960s. With both original and previously published pieces by award-winning authors—including President Obama’s Second Inaugural Poet, Richard Blanco—the volume makes a welcome contribution to the fields of Latinx and American literature, as well as critical discussions across disciplines about the intersections of latinidad with race, class, gender, and sexuality.


“The selections chosen are excellent across the board. Collectively, they give a sense of the directions in which second-generation Cuban American writing is moving, as well as of its abiding concern with the country of origin of the first generation. The writing is impressive, strong, and compelling.” — Marta Caminero-Santangelo, University of Kansas

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About the author

Iraida H. López is Professor of Spanish and Latino/a and Latin American Studies at Ramapo College of New Jersey and author of Impossible Returns: Narratives of the Cuban Diaspora. Eliana S. Rivero is Professor Emerita in the Spanish and Portuguese department at the University of Arizona and coeditor (with the Latina Feminist Group collective) of Telling to Live: Latina Feminist Testimonios.

Eliana S. Rivero is Professor Emerita in the Spanish and Portuguese department at the University of Arizona and coeditor (with the Latina Feminist Group collective) of Telling to Live: Latina Feminist Testimonios.

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Additional Information

Publisher
SUNY Press
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Published on
Dec 1, 2019
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Pages
186
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ISBN
9781438477107
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Language
English
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Genres
Literary Collections / American / General
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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With Bukowski, the votes are still coming in. There seems to be no middle ground—people seem either to love him or hate him. Tales of his own life and doings are as wild and weird as the very stories he writes. In a sense, Bukowski was a legend in his time . . . a madman, a recluse, a lover . . . tender, vicious . . . never the same . . . these are exceptional stories that come pounding out of his violent and depraved life . . . horrible and holy, you cannot read them and ever come away the same again.

Bukowski . . . "a professional disturber of the peace . . . laureate of Los Angeles netherworld [writes with] crazy romantic insistence that losers are less phony than winners, and with an angry compassion for the lost." —Jack Kroll, Newsweek

"Bukowski’s poems are extraordinarily vivid and often bitterly funny observations of people living on the very edge of oblivion. His poetry, in all it’s glorious simplicity, was accessible the way poetry seldom is – a testament to his genius." —Nick Burton, PIF Magazine

Charles Bukowski (1920-1994) published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he went on to publish more than forty-five books of poetry and prose, including books published by City Lights Publishers such as Notes of a Dirty Old Man, More Notes of a Dirty Old Man, The Most Beautiful Woman in Town, Tales of Ordinary Madness, Portions from a Wine-Stained Notebook, Absence of the Hero and The Bell Tolls for No One.


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