Edgy and wise, this tragicomic debut delves into taboo subjects—death, infidelity, impotence, the difficulties of marriage—with unsentimental honesty, and brings Rio and these characters to life in full color.
Fernanda Torres was born in Rio de Janeiro in 1965. She is an actress and writer. She has enjoyed a successful career in the theatre, cinema and on television for thirty-five years and has received many awards, including Best Actress at the 1986 Cannes Film Festival. She is a columnist for the newspaper Folha de São Paulo and the magazine Veja-Rio and contributes to the magazine Piauí. The End is her first novel.
Alison Entrekin has translated a number of works by Brazilian and Portuguese authors, including Clarice Lispector, Paulo Lins, and Chico Buarque.
In Rise of the Governor, uber-villain Philip Blake journeyed from his humble beginnings directly into the dark heart of the zombie apocalypse, and became the self-proclaimed leader of a small town called Woodbury. In The Road to Woodbury, an innocent traveler named Lilly Caul wound up in the terrifying thrall of Phillip Blake's twisted, violent dictatorship within Woodbury's ever tightening barricades.
And now, in The Fall of the Governor – Part One, the Governor's descent into madness finally erupts in a tour de force of action and horror. Beloved characters from the comic book, including Rick, Michonne and Glenn, finally make their entrance onto this nightmarish stage, and fans of The Walking Dead will see these characters in a whole new light. Simmering grudges boil over into unthinkable confrontations, battle lines are drawn, and unexpected twists seal the fates of the innocent and guilty alike.
Look for Daniel's new book, The Shape of Bones.
2018 A GLOBE AND MAIL BEST BOOK OF 2018
A LIT HUB FAVOURITE BOOK OF THE YEAR
A WORLD LITERATURE TODAY NOTABLE TRANSLATION OF 2018
In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.