Using empirical data combined with an impressive array of secondary sources, Dr Bandyopadhyay delineates the manner in which Hindu caste society maintained its cultural hegemony and structural cohesion. Starting with an examination of the relationship between caste and power, the book examines early cultural encounters between `high` Brahmanical tradition and the more egalitarian `popular` religious cults of the lower castes. It moves on to take a close look at the relationship between caste and gender showing the reasons why the reform movement for widow remarriage failed. It ends with an examination of the Hindu `partition` campaign, which appropriated dalit autonomous politics and made Hinduism the foundation of an emergent Indian national identity.
Sekhar Bandyopadhyay breaks with many of the assumptions of two important schools of thought—the Dumontian and the subaltern—and takes instead a more nuanced approach to show how high caste hegemony has been able to perpetuate itself. He thus takes up issues which go to the heart of contemporary problems in India`s social and political fabric.
Sekhar Bandyopadhyay is Senior Lecturer and Head of the History Programme, School of History, Philosophy, Political Science and International Relations, Victoria University of Wellington, New Zealand. His research interests include the social and political history of modern India, with special reference to Bengal. He has previously published a number of books including Caste, Protest and Identity in Colonial India: The Namasudras of Bengal, 1872–1937; Caste, Politics and the Raj: Bengal 1872–1937; and Bengal: Rethinking History, Essays in Historiography (co-edited). He is also the author of numerous articles on caste, culture and nationalist politics in colonial India that have appeared in many journals and edited volumes.
The author, a specialist on the history of modern India, discusses what freedom actually meant to various individuals, communities and political parties, how they responded to it, how they extended its meaning and how in their anxiety to confront the realities of free India, they began to invent new enemies of their newly acquired freedom. By emphasising the representations of popular mentality rather than the institutional changes brought in by the process of decolonization, he draws attention to other concerns and anxieties that were related to the problems of coming to terms with the newly achieved freedom and the responsibility of devising independent rules of governance that would suit the historic needs of a pluralist nation.
Decolonization in South Asia analyses the transitional politics of West Bengal in light of recent developments in postcolonial theory on nationalism, treating the ‘nation’ as a space for contestation, rather than a natural breeding ground for homogeneity in the complex political scenario of post-independence India. It will appeal to academics interested in political science, sociology, social anthropology and cultural and Asian studies.
With a new introduction by Anthony Arnove, this edition of the classic national bestseller chronicles American history from the bottom up, throwing out the official narrative taught in schools—with its emphasis on great men in high places—to focus on the street, the home and the workplace.
Known for its lively, clear prose as well as its scholarly research, A People's History of the United States is the only volume to tell America's story from the point of view of—and in the words of—America's women, factory workers, African-Americans, Native Americans, the working poor, and immigrant laborers. As historian Howard Zinn shows, many of our country's greatest battles—the fights for a fair wage, an eight-hour workday, child-labor laws, health and safety standards, universal suffrage, women's rights, racial equality—were carried out at the grassroots level, against bloody resistance.
Covering Christopher Columbus's arrival through President Clinton's first term, A People's History of the United States features insightful analysis of the most important events in our history.
“A profound impact on Hurston’s literary legacy.”—New York Times
“One of the greatest writers of our time.”—Toni Morrison
“Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker
A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.
In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.
Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.