Office Girl: A Novel

Akashic Books
16
Free sample

This quirky tale of two young artists in love in 1990s Chicago is “a gorgeous little indie romance . . . A sweetheart of a novel” (Kirkus Reviews).
 
In the last year of the twentieth century, Odile is a lovely twenty-three-year-old art-school dropout, a minor vandal, and a hopeless dreamer. Jack is a twenty-five-year-old shirker who’s most happy capturing the endless noises of the city on his out-of-date tape recorder. Together they decide to start their own art movement, in defiance of a contemporary culture made dull by both the tedious and the obvious. Set just before the end of one world and the beginning of another, this is the story of two people trying to capture a moment in the face of an uncertain future.
 
Named a Best Book of the Year by Daily Candy and chosen as a favorite fiction work of the year in The Believer’s readers’ poll, Office Girl “reads as a parody of art-school types . . . and as a tribute to their devil-may-care spirit” (The New York Times Book Review).
 
“Mr. Meno excels at capturing the way that budding love can make two people feel brave and freshly alive to their surroundings . . . The story of the relationship has a sweet simplicity.” —The Wall Street Journal
 
“Meno’s tender, hip, funny, and imaginative portrayal of two Chicago misfits . . . dramatizes that anguished and awkward passage between legal age and actual adulthood.” —Booklist, starred review
 
Features black-and-white illustrations by artist Cody Hudson and photographs by Todd Baxter.
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About the author

Joe Meno is a fiction writer and playwright who lives in Chicago. He is a winner of the Nelson Algren Literary Award, a Pushcart Prize, the Great Lakes Book Award, and was a finalist for the Story Prize. He is the author of five novels and two short story collections including The Great Perhaps, The Boy Detective Fails, Demons in the Spring, and Hairstyles of the Damned. His short fiction has been published in One Story, McSweeney'sSwinkLITTriQuarterlyOther VoicesGulf Coast, and broadcast on NPR. His nonfiction has appeared in the New York Times and Chicago magazine. His stage plays have been produced in Chicago, Los Angeles, Washington, DC, and Charville, France. He is an associate professor in the fiction writing department at Columbia College Chicago.
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3.9
16 total
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Additional Information

Publisher
Akashic Books
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Published on
Jul 3, 2012
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Pages
224
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ISBN
9781617751202
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Language
English
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Genres
Fiction / Literary
Fiction / Romance / Contemporary
Fiction / Urban
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Content Protection
This content is DRM protected.
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Available on Android devices
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"In this superior entry in Akashic's noir series, Meno offers nearly a century of Chicago crime fiction....Familiar bylines abound: Max Allan Collins, Richard Wright, Nelson Algren, Sherwood Anderson, Fredric Brown, Patricia Highsmith (with an excerpt from her novel The Price of Salt), Stewart M. Kaminsky, Sara Paretsky. Others may be less familiar to mystery specialists, but all turn in impressive performances."
--Publishers Weekly, Starred review

"Richard Wright, Nelson Algren, and Sandra Cisneros are not crime-fiction writers, and yet their Chicago certainly embodies the individual-crushing ethos endemic to noir. Meno also includes stories from writers who could easily have been overlooked (Percy Spurlark Parker, Hugh Holton) to ensure that diverse voices, and neighborhoods, are represented. Add in smart and essential choices from Fredric Brown, Sara Paretsky, and Stuart Kaminsky, and you have not an anthology not for crime-fiction purists, perhaps, but a thought-provoking document all the same."
--Booklist

"The fifteen short stories comprising Chicago Noir: The Classics, which are knowledgeably compiled and deftly edited by Joe Meno, are true gems of the noir literary tradition....Chicago Noir: The Classics is a consistently entertaining and will prove to be an enduringly popular addition to community library Mystery/Suspense collections."
--Midwest Book Review

"I've always enjoyed reading noir. Dark, ironic mysteries are a good read to me. Since this collection includes old classics as well as some new stories, I knew it would be good....I wasn't disappointed."
--Journey of a Bookseller

"Chicago Noir The Classics does everything anthologies and noir are supposed to, but this title achieves an unheralded goal that deserves notice....This is wonderful diversity, coming both unexpected and unhearalded. Anthologies are supposed to convey a sense of having covered the territory, Joe Meno has. Ethnically diverse city, ethnically diverse plots. Better, Chicago Noir The Classics showcases diversity as normal, everyday. This adds inescapable satisfaction to a sense of the editor's having covered the territory."
--La Bloga

"A worthy addition to the Akashic Books noir series."
--Book Chase

Although Los Angeles may be considered the most quintessentially "noir" American city, this volume reveals that pound-for-pound, Chicago has historically been able to stand up to any other metropolis in the noir arena.

Classic reprints from: Harry Stephen Keeler, Sherwood Anderson, Max Allan Collins, Richard Wright, Nelson Algren, Fredric Brown, Patricia Highsmith, Barry Gifford, Stuart M. Kaminsky, Libby Fischer Hellmann, Sara Paretsky, Percy Spurlark Parker, Sandra Cisneros, Hugh Holton, and Stuart Dybek.

From the introduction by Joe Meno:

"More corrupt than New York, less glamorous than LA, Chicago has more murders per capita than any other city its size. With its sleek skyscrapers bisecting the fading sky like an unspoken threat, Chicago is the closest metropolis to the mythical city of shadows as first described in the work of Chandler, Hammett, and Cain. Only in Chicago do instituted color lines offer generation after generation of poverty and violence, only in Chicago do the majority of governors do prison time, only in Chicago do the dead actually vote twice.

"Chicago--more than the metropolis that gave the world Al Capone, the Saint Valentine's Day Massacre, the death of John Dillinger, the crimes of Leopold and Loeb, the horrors of John Wayne Gacy, the unprecedented institutional corruption of so many recent public officials, more than the birthplace of Raymond Chandler--is a city of darkness. This darkness is not an act of over-imagination. It's the unadulterated truth. It's a pointed though necessary reminder of the grave tragedies of the past and the failed possibilities of the present. Fifty years in the future, I hope these stories are read only as fiction, as somewhat distant fantasy. Here's hoping for some light."
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