The Moor's Last Sigh

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In his first novel since The Satanic Verses, Rushdie gives readers a masterpiece of controlled storytelling, informed by astonishing scope and ambition, by turns compassionate, wicked, poignant, and funny. From the paradise of Aurora's legendary salon to his omnipotent father's sky-garden atop a towering glass high-rise, the Moor's story evokes his family's often grotesque but compulsively moving fortunes in a world of possibilities embodied by India in this century.
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A dazzling Don Quixote for the modern age—an epic tour de force that is as much an homage to an immortal work of literature as it is to the quest for love and family, by Booker Prize–winning, internationally bestselling author Salman Rushdie 

SHORTLISTED FOR THE BOOKER PRIZE

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile, his creator, in a midlife crisis, has equally urgent challenges of his own.

Just as Cervantes wrote Don Quixote to satirize the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of Rushdie’s work, the fully realized lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

Praise for Quichotte

“Lovely, unsentimental, heart-affirming . . . a remembrance of what holds our human lives in some equilibrium—a way of feeling and a way of telling. Love and language.”—Jeanette Winterson, The New York Times Book Review

“Brilliant . . . a perfect fit for a moment of transcontinental derangement.”—Financial Times

“Quichotte is one of the cleverest, most enjoyable metafictional capers this side of postmodernism. . . . The narration is fleet of foot, always one step ahead of the reader—somewhere between a pinball machine and a three-dimensional game of snakes and ladders. . . . This novel can fly, it can float, it’s anecdotal, effervescent, charming, and a jolly good story to boot.”—The Sunday Times

“Quichotte [is] an updating of Cervantes’s story that proves to be an equally complicated literary encounter, jumbling together a chivalric quest, a satire on Trump’s America and a whole lot of postmodern playfulness in a novel that is as sharp as a flick-knife and as clever as a barrel of monkeys. . . . This is a novel that feeds the heart while it fills the mind.”—The Times (UK)
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Additional Information

Publisher
Vintage Canada
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Published on
Dec 31, 2010
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Pages
448
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ISBN
9780307367747
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Features
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Language
English
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Genres
Fiction / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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Caught between a father who thought success and freedom could be found only in America and a grandfather who risked his life to guarantee such ideals in their homeland of India, twenty-three-year-old Rajiv Kothari is lost in a nation he has always called home and beckoned by the one his father left long ago. Stealing the Ambassador is a literary page-turner that blends the experiences of a first-generation Indian American with those of his immigrant father and revolutionary grandfather, their intertwined stories probing the balance between fiction and history, between old country and new, between fathers and sons.
Following his father's sudden death, Rajiv finds himself alone and bewildered. As he attempts to reconstruct his father's life, he begins to better understand his own, and when he chances to meet a new Indian immigrant, eerily reminiscent of his own father, their uncanny interaction grants Rajiv insight into the euphoria that his father felt when he first arrived in the country and its gradual deterioration into frustrated estrangement.
Events lead Rajiv to a reverse migration, back to the subcontinent of his father's birth. There he reconnects with his aged grandfather -- once a saboteur responsible for bombings in pre-Independence British India and now mysteriously destitute. Discovering the source of this impoverishment, Rajiv is awakened to a second understanding of his childhood hero, a reconsideration that illuminates the relationships between grandfather, father, and grandson while pointing to new definitions of bravery and familial loyalty.
Stealing the Ambassador is a stunning debut from the young Sameer Parekh. In depicting the ways that families are at the source of both our frustration with and our loyalty to identity, Parekh sheds new light on the immigrant experience and on the complexity and power of family relations.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • Los Angeles Times • San Francisco Chronicle • Harper’s Bazaar • St. Louis Post-Dispatch • The Guardian • The Kansas City Star • National Post • BookPage • Kirkus Reviews

From Salman Rushdie, one of the great writers of our time, comes a spellbinding work of fiction that blends history, mythology, and a timeless love story. A lush, richly layered novel in which our world has been plunged into an age of unreason, Two Years Eight Months and Twenty-Eight Nights is a breathtaking achievement and an enduring testament to the power of storytelling.

In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own sub–Stan Lee creation. Abandoned at the mayor’s office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.

Unbeknownst to them, they are all descended from the whimsical, capricious, wanton creatures known as the jinn, who live in a world separated from ours by a veil. Centuries ago, Dunia, a princess of the jinn, fell in love with a mortal man of reason. Together they produced an astonishing number of children, unaware of their fantastical powers, who spread across generations in the human world.

Once the line between worlds is breached on a grand scale, Dunia’s children and others will play a role in an epic war between light and dark spanning a thousand and one nights—or two years, eight months, and twenty-eight nights. It is a time of enormous upheaval, in which beliefs are challenged, words act like poison, silence is a disease, and a noise may contain a hidden curse.

Inspired by the traditional “wonder tales” of the East, Salman Rushdie’s novel is a masterpiece about the age-old conflicts that remain in today’s world. Two Years Eight Months and Twenty-Eight Nights is satirical and bawdy, full of cunning and folly, rivalries and betrayals, kismet and karma, rapture and redemption.

Praise for Two Years Eight Months and Twenty-Eight Nights

“Rushdie is our Scheherazade. . . . This book is a fantasy, a fairytale—and a brilliant reflection of and serious meditation on the choices and agonies of our life in this world.”—Ursula K. Le Guin, The Guardian

“One of the major literary voices of our time . . . In reading this new book, one cannot escape the feeling that [Rushdie’s] years of writing and success have perhaps been preparation for this moment, for the creation of this tremendously inventive and timely novel.”—San Francisco Chronicle

“A wicked bit of satire . . . [Rushdie] riffs and expands on the tales of Scheherazade, another storyteller whose spinning of yarns was a matter of life and death.”—USA Today

“A swirling tale of genies and geniuses [that] translates the bloody upheavals of our last few decades into the comic-book antics of warring jinn wielding bolts of fire, mystical transmutations and rhyming battle spells.”—The Washington Post

“Great fun . . . The novel shines brightest in the panache of its unfolding, the electric grace and nimble eloquence and extraordinary range and layering of his voice.”—The Boston Globe
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