In the daily battle for our hearts and minds--not to mention our hard-earned cash--the truth is usually the first casualty. It's time we learned how to see through the rhetoric, faulty reasoning, and misinformation that we're subjected to from morning to night by talk-radio hosts, op-ed columnists, advertisers, self-help gurus, business "thinkers," and, of course, politicians. And no one is better equipped to show us how than award-winning philosopher Jamie Whyte.
In Crimes Against Logic Whyte take us on a fast-paced, ruthlessly funny romp through the mulligan stew of can, folderol, and bogus logic served up in the media, at the office, and even in your own home. Applying his laserlike wit to dozens of timely examples, Whyte cuts through the haze of facts, figures, and double-talk and gets at the real truth behind what they're telling us.
"An incisive philosopher."
People often say they haven’t yet found a good dictionary to interpret their dreams, signs and symbols. The Source Code brings a whole new vision to the subject and will surely become one of the most important reference books in this field. It will be published simultaneously in English and French and found in bookstores and malls in many countries all over the world, including the UK and the USA. It’s written by Kaya, one of today’s most eminent specialists in dream interpretation, assisted by over 100 of his students, who are doctors, psychologists, nurses, therapists, linguists, teachers and specialists in many fields, in many different countries. The idea of uniting so many people for this extraordinary project came from the workshops Kaya has been giving on dream and symbol interpretation for over 12 years now. During these workshops, when Kaya asked students in groups of 4 to deepen and define symbols, he realized how advanced they were, and so he asked them to help him finish his work. Hence his publishing house, UCM set up work teams to carry out the necessary research so Kaya could then write the final metaphysical syntheses and definitions.
A book presenting the + and – of each symbol
The Dictionary, Dreams-Signs-Symbols, The Source Code, helps us discover, in great depth, over 870 pages, the most common words in dreams and signs. Each word is analyzed in detail with its physical and metaphysical characteristics, and a synthesis defining the + and – of each symbol is included. This provides the reader with an analytical, understandable vision of the various different possible interpretations. Just one word may occupy 2 or 3 explanatory pages, which makes this Dictionary very complete from all points of view. Readers will also find a detailed introduction explaining dream mechanics as well as the multiple angles and subtleties of dream and sign interpretation.
Extract from the Preface by Kasara (Kaya’s daughter)
The day we receive The Source Code, our life changes completely… Shortly after my birth, my father’s life completely changed. From one day to the next, he started having 10-50 dreams every night. He studied dreams in his dream. He could no longer tell the difference between dream and reality. To everyone’s surprise, he quit everything. He became the village fool, the incomprehensible hermit, and all to deepen his research and understanding of dreams. Everyone either laughed at him or didn’t understand. I lived through this change alongside him – those early years when we feel other people’s fear and mistrust because we aren’t like everyone else. The greatest philosophers and scholars of the past often lived as visionaries before being really understood, because they traced a new path, one which called into question our way of thinking and understanding of the world we live in.
My father went through many ordeals to offer us this unique book. You have no idea how psychologically difficult it was. I sometimes consoled him, hugging him, telling him it was going to be ok; everything was going to be all right. I have so much admiration and love for my father. He sacrificed his career, everything a man could wish for, in order to follow his inner guidance, the wind of change and transformation that took form in his dreams. Above all, he had the courage to turn the page, to completely change his life in order to get to know himself better, to better understand the Source Code and to transmit it to us today. Now, with this revolution of Knowledge for the science of our conscience, the great changes he undertook take on their full meaning. Surpassing all of the previous research into the meaning of dreams, Kaya opens the path to our autonomy of conscience; he helps us understand the multi-dimensions, the metaphysics that we all have within ourselves. He may have been ridiculed and denigrated as a man, but this whole path was all worthwhile to help people all over the world who are on a spiritual path today, seeking to make sense of their lives; therapists, psychiatrists, psychologists and doctors now use The Source Code to help patients better understand how their conscience works.
The pun is commonly dismissed as the lowest form of wit, and punsters are often unpopular for their obsessive wordplay. But such attitudes are relatively recent developments. In The Pun Also Rises, John Pollack-a former World Pun Champion and presidential speechwriter for Bill Clinton-explains why such wordplay is significant: It both revolutionized language and played a pivotal role in making the modern world possible. Skillfully weaving together stories and evidence from history, brain science, pop culture, literature, anthropology, and humor, The Pun Also Rises is an authoritative yet playful exploration of a practice that is common, in one form or another, to virtually every language on earth.
At once entertaining and educational, this engaging book answers fundamental questions: Just what is a pun, and why do people make them? How did punning impact the development of human language, and how did that drive creativity and progress? And why, after centuries of decline, does the pun still matter?
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The study begins in the 1750s with Diderot's Neveu de Rameau, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance.