The Gordon Place

Lost Hollow Books
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Lost Hollow constable Graham Gordon just walked into his abandoned childhood home for the first time in twenty years. Local teenagers have been spreading rumors about disembodied screams coming from inside. Now, thanks to a rickety set of cellar stairs and the hateful spirit of his dead father, he might never escape.


Meanwhile, Channel 6 News feature reporter Afia Afton—whose father is the victim of a local decades-old hate crime—is meeting with town administrator Patsy Blankenship. Her mission is to develop a ghost story feature for a special to air on the station's Halloween broadcast. When Patsy tells her about the screams at the Gordon place, the past and the present are set on a collision course with potentially catastrophic results.


Can Graham come to terms with his father’s past and redeem his own future? Can the murder mystery that has haunted Afia for most of her life finally be solved?


It’s a fight for the future and the past when spirit and flesh wage war at the Gordon place.

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About the author

Isaac Thorne is a nice man who has, over the course of his life, developed a modest ability to spin a good yarn. Really. He promises. You can find him on Twitter @isaacrthorne or on Facebook at facebook.com/isaacrthorne. Just don’t push him down a flight of stairs.

In addition to writing horror, Isaac reviews horror movies for TNHorror.com and TheHorrorcist.com. He is also the host of audio narration shows Thorne’s Theater of Terror and Classic Cuts on SCRM Radio, which is a 24/7/365 internet radio station available online at scrmradio.com.
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Additional Information

Publisher
Lost Hollow Books
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Published on
Apr 15, 2019
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Pages
360
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ISBN
9781938271465
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Language
English
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Genres
Fiction / Horror
Fiction / Occult & Supernatural
Fiction / Thrillers / Supernatural
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Content Protection
This content is DRM free.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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From “master of cosmic horror” (Library Journal) Mary SanGiovanni, comes the latest terrifying novel featuring occult specialist Kathy Ryan . . .

A mind is a terrible thing to destroy . . .

Kathy has been hired to assess the threat of patient Henry Banks, an inmate at the
Connecticut-Newlyn Hospital for the Criminally Insane, the same hospital where her brother is housed. Her employers believe that Henry has the ability to open doors to other dimensions with his mind—making him one of the most dangerous men in modern history. Because unbeknownst to Kathy, her clients are affiliated with certain government organizations that investigate people like Henry—and the potential to weaponize such abilities.

What Kathy comes to understand in interviewing Henry, and in her unavoidable run-ins with her brother, is that Henry can indeed use his mind to create “Tulpas”—worlds, people, and creatures so vivid they come to actual life. But now they want life outside of Henry. And they'll stop at nothing to complete their emancipation. It's up to Kathy—with her brother's help—to stop them, and if possible, to save Henry before the Tulpas take him over—and everything else around him.

Praise for the novels of Mary SanGiovanni

“SanGiovanni evokes a Lovecraftian sensibility in this action-filled story. . . . Scary, suspenseful, smart, and gory, the novel is also beautifully set and described.”
—Library Journal on Savage Woods

“A feast of both visceral and existential horror.” —F. Paul Wilson on Thrall

“Filled to the brim with mounting terror.” —Gary A. Braunbeck on The Hollower

“A fast-building, high-tension ride.” —James A. Moore on The Hollower

Meet the Malcolms. They've just moved in to a home they can't afford, they're trying to climb a social ladder that they don't belong on, and both are chasing careers that are just out of their grasp. They want a child, but every time they try, every attempt they make, fails. 

Charles Malcolm, successful bestselling writer of cutting-edge, timely pop-science books finds himself staring at the blank screen. Unable to top himself yet again, he descends into writer's block, and finds himself taking long walks through Boston's historic cemeteries, his dog at his side. 

Janet Malcolm finds herself chasing partnership at a high-powered law firm while facing her latest medical results -- she can't have children. Desperate, Janet will try anything to have a baby.

Charles watches as his wife seems to change before his eyes, spending more time with the mysterious and alluring couple next door. Then, one day a miracle occurs--Janet is pregnant. Charles is elated. Why wouldn't he be? But...was it a miracle? 

Charles realizes that he can't remember certain periods of time, and has horrifying glimpses of memories--cult members, blood, and some...thing, from the deep ocean, risen, hungry, red-eyed. As his new infant son grows ever larger, he begins to suspect that the boy may not have been conceived naturally. 

As Janet slips into madness, Charles begins to doubt everything in his life, from the people around him, from his next door neighbors, to his own wife, and finally—to his infant son.

From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
 It's easy to tell yourself there's no such thing as ghosts, at least until you meet one face-to-face. Then it becomes a matter of convincing yourself that you are not seeing what you think you are seeing. If you happen to be Jake, a barely school age child who awakens one night to find an elongated abomination in female form floating by his bedside, there is no amount of daylight or parental soothing that can convince you that ghosts are not real.

 

The apparition arrives at a crucial time in Jake’s family life, just when he’s beginning to notice that his mommy and his daddy aren’t getting along the way they once did. Daddy seems particularly stressed about his job at the hospital, which seems to be making him tired and nearly always irritable.

 

His new visitor, the start of the school year, and the tension between his parents start to take their toll on Jake as he searches for a way to rid himself of at least one of his triad of problems. His schooling is required by law. His parents don’t seem to be interested in continuing to get along. That leaves Jake with only one option. Can he determine what the ghost wants and send her on her way back to the realm of the dead?

 

BEDSIDE MANNER is a short tale of dark comic horror from the mind of Isaac Thorne, a nice man who simply wants to provide you with a few fun frights. Throughout history ghosts have haunted the imaginations of young children. On a few occasions, they have reportedly compelled those children to perform unspeakable acts of horror against the living. BEDSIDE MANNER documents one child’s attempts to resist.

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