Paul Klee: The Visible and the Legible

University of Chicago Press
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The fact that Paul Klee (1879–1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered—until now. In Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee’s works from the 1910s and 1920s.

Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
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About the author

Annie Bourneuf is assistant professor of art history at the School of the Art Institute of Chicago.
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Additional Information

Publisher
University of Chicago Press
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Published on
Jul 20, 2015
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Pages
256
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ISBN
9780226233604
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Language
English
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Genres
Art / General
Art / History / Modern (late 19th Century to 1945)
Art / Individual Artists / General
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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