This brilliant study by an acclaimed architectural historian tells the origin of the memorial in the context of commemorating the war dead; it considers the giant classical brick arch in architectural terms, and also explores its wider historical significance and its resonances today. So much of the meaning of the twentieth century is concentrated here; the Thiepval Memorial to the Missing casts a shadow into the future, a shadow which extends beyond the dead of the Holocaust, to the Gulag, to the 'disappeared' of South America and of Tianenmen.
Reissued in a beautiful and striking new edition for the centenary of the Somme.
Before WWI, little provision was made for the burial of the war dead. Soldiers were often unceremoniously dumped in a mass grave; officers shipped home for burial.
The great cemeteries of WWI came about as a result of the efforts of one inspired visionary. In 1914, Fabian Ware joined the Red Cross, working on the frontline in France. Horrified by the hasty burials, he recorded the identity and position of the graves. His work was officially recognised, with a Graves Registration Commission being set up. As reports of their work became public, the Commission was flooded with letters from grieving relatives around the world.
Critically acclaimed author David Crane gives a profoundly moving account of the creation of the great citadels to the dead, which involved leading figures of the day, including Rudyard Kipling. It is the story of cynical politicking, as governments sought to justify the sacrifice, as well as the grief of nations, following the ‘war to end all wars’.
Barbara Carson explains how Virginia's eighteenth-century chief executives lived in the palace and used its public spaces to reinforce the image and authority of the British crown. She also discusses the inventory of Lord Botetourt, penultimate royal governor, an invaluable resource document that has answered many questions about the building and its contents.
Critics hated it. The public feared it would topple over. Passersby were knocked down by the winds. But even before it was completed, the Flatiron Building had become an unforgettable part of New York City.
The Flatiron Building was built by the Chicago-based Fuller Company--a group founded by George Fuller, "the father of the skyscraper"--to be their New York headquarters. The company's president, Harry Black, was never able to make the public call the Flatiron the Fuller Building, however. Black's was the country's largest real estate firm, constructing Macy's department store, and soon after the Plaza Hotel, the Savoy Hotel, and many other iconic buildings in New York as well as in other cities across the country. With an ostentatious lifestyle that drew constant media scrutiny, Black made a fortune only to meet a tragic, untimely end.
In The Flatiron, Alice Sparberg Alexiou chronicles not just the story of the building but the heady times in New York at the dawn of the twentieth century. It was a time when Madison Square Park shifted from a promenade for rich women to one for gay prostitutes; when photography became an art; motion pictures came into existence; the booming economy suffered increasing depressions; jazz came to the forefront of popular music--and all within steps of one of the city's best-known and best-loved buildings.
headlands of Marin County, as if to suggest the paradox of California
and America itself-the place that Fitzgerald saw as the last spot
commensurate with the human capacity for wonder. The bridge, completed
in 1937, also announced to the world America's engineering prowess and
full assumption of its destined continental dominance. The Golden Gate
is a counterpart to the Statue of Liberty, pronouncing American
achievement in an unmistakable American fashion. The nation's very
history is expressed in the bridge's art deco style and stark
Kevin Starr's Golden Gate is a brilliant and
passionate telling of the history of the bridge, and the rich and
peculiar history of the California experience. The Golden Gate is a
grand public work, a symbol and a very real bridge, a magnet for both
postcard photographs and suicides. In this compact but comprehensive
narrative, Starr unfolds the hidden-in-plain-sight meaning of the Golden
Gate, putting it in its place among classic works of art.