Liam Kennedy here maps the evolving relations between the American way of war and photographic coverage of it. Organized in its first section around key US military actions over the last fifty years, the book then moves on to examine how photographers engaged with these conflicts on wider ethical and political grounds, and finally on to the genre of photojournalism itself. Illustrated throughout with examples of the photographs being considered, Afterimages argues that photographs are important means for critical reflection on war, violence, and human rights. It goes on to analyze the high ethical, sociopolitical, and legalistic value we place on the still image’s ability to bear witness and stimulate action.
By confronting these conflicted reactions to photography, Robert Hariman and John Louis Lucaites make the case for a fundamental shift in understanding photography and public culture. In place of suspicions about the medium’s capacity for distraction, deception, and manipulation, they suggest how it can provide resources for democratic communication and thoughtful reflection about contemporary social problems.
The key to living well in the image world is to unlock photography from viewing habits that inhibit robust civic spectatorship. Through insightful interpretations of dozens of news images, The Public Image reveals how the artistry of the still image can inform, challenge, and guide reflection regarding endemic violence, environmental degradation, income inequity, and other chronic problems that will define the twenty-first century.
By shifting from conventional suspicions to a renewed encounter with the image, we are challenged to see more deeply on behalf of a richer life for all, and to acknowledge our obligations as spectators who are, crucially, also citizens.
For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism's heyday and the rise of broadcast news and newsreels in the twentieth century and into today's digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.
Make It Memorable provides a distinctly different, hands-on introduction to the craft of visual storytelling. Many texts have been written to help people master the changing technology of journalism; here, Bob Dotson teaches readers how best to tell a story once they do.
This second edition of Dotson’s classic book offers dozens of new tips for the digital age and a step-by-step explanation of how to find and create all kinds of visual stories under tight deadlines. In addition to new scripts annotated with behind-the-scenes insights and structural comments, the book includes links to online videos of all the story examples.
There is no other text quite like it.
Additional videos that can be utilized for class assignments and exercises are available on www.nbclearn.com/makeitmemorable.
About this Issue
This issue of Socrates contains selected scholarly articles from various scholarly disciplines. The entire issue has been divided into six sections.
The first Section of the issue, Art, Culture and Literature, contains scholarly articles from English language and Literature, Hindi literature and Persian literature. A serious question raising article of National and International importance has also been included in this section under the title, Safeguard the cultural Heritage of Ladakh.
The second section of this issue, American History, contains an article that investigates, why Lieutenant Colonel Custer met with defeat in order to take the Black Hills?
The third section of this issue, Media Studies, contains an article that aims to provide a theoretical framework of public television networks in western countries pointing to the pertaining relationships with their political systems.
The fourth section of this issue contains some of the best research papers from the scholarly disciplines of Commerce Management and Economics. The first research paper of this section empirically measures employee satisfaction in key areas.
The fifth section of this issue represents the scholarly disciplines of Law and Politics. The first article analyses the socio-political movement for the establishment of democracy in Nepal. The second article analyses the Industrial dispute act and its impact on the Industrial development in India.
The sixth section contains two general articles. The first article reflects the life of a great Sufi Saint Shah Kazim Qalander. The second article highlights the views of authors on various themes.
Shooting The Picture is the story of Australian press photography from 1888 to today—the power of the medium, seismic changes in the newspaper industry, and photographers who were often more colourful than their subjects. This groundbreaking book explores our political leaders and campaigns, crime, war and censorship, international events, disasters and trauma, sport, celebrity, gender, race and migration. It maps the technological evolution in the industry from the dark room to digital, from picturegram machines to iPhones, and from the death knock to the ascendancy of social media. It raises the question whether these changes will spell the end of traditional press photography as we know it.