Lives of the Artists

Penguin UK
Free sample

Beginning with Cimabue and Giotto in the thirteenth century, Vasari traces the development of Italian art across three centuries to the golden epoch of Leonardo and Michelangelo. Great men, and their immortal works, are brought vividly to life, as Vasari depicts the young Giotto scratching his first drawings on stone; Donatello gazing at Brunelleschi's crucifix; and Michelangelo's painstaking work on the Sistine Chapel, harassed by the impatient Pope Julius II. The Lives also convey much about Vasari himself and his outstanding abilities as a critic inspired by his passion for art.
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About the author

Giorgio Vasari (1511-74) was an accomplished painter and architect, but it is for his illuminating biographies that he is best remembered.
George Bull translated widely from the Italian, including for Penguin Classics including Cellini's 'Autobiography' and Machiavelli's 'The Prince'. He is also the author of a number of books on the Renaissance.

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Additional Information

Publisher
Penguin UK
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Published on
Jul 31, 2003
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Pages
480
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ISBN
9780141919973
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Features
Flowing text
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Best For
Web, Tablet, Phone, eReader
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Language
English
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Genres
Art / History / Medieval
Art / History / Renaissance
Art / Individual Artists / Monographs
Art / Techniques / Painting
Biography & Autobiography / General
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Content Protection
This content is DRM protected.
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Google Commerce Ltd
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Eligible for Family Library
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The work has a consistent and notorious bias in favour of Florentines, and tends to attribute to them all the developments in Renaissance art — for example, the invention of engraving. Venetian art in particular (along with arts from other parts of Europe), is systematically ignored in the first edition. Between the first and second editions, Vasari visited Venice and while the second edition gave more attention to Venetian art (finally including Titian) it did so without achieving a neutral point of view.
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According to the historian Richard Goldthwaite, Vasari was one of the earliest authors to use the term "competition" (or "concorrenza" in Italian) in its economic sense. He used it repeatedly, and stressed the concept in his introduction to the life of Pietro Perugino, in explaining the reasons for Florentine artistic preeminence. In Vasari's view, Florentine artists excelled because they were hungry, and they were hungry because their fierce competition amongst themselves for commissions kept them so. Competition, he said, is "one of the nourishments that maintain them."
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