The History of the Decline and Fall of the Roman Empire

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Spanning thirteen centuries from the age of Trajan to the taking of Constantinople by the Turks, DECLINE & FALL is one of the greatest narratives in European Literature. David Womersley's masterly selection and bridging commentary enables the readerto acquire a general sense of the progress and argument of the whole work and displays the full variety of Gibbon's achievement.
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This edition also includes an illustrated history of BOTH the RISE AND FALL of the Roman Empire from its very beginning. HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE COMPLETE VOLUMES 1 - 6 (sometimes shortened to "Decline and Fall of the Roman Empire") is a book of history written by the English historian Edward Gibbon, which traces the trajectory of the Roman Empire—and Western civilization as a whole—from the late first century AD to the fall of the Eastern or Byzantine Empire. Published in six volumes, volume I was published in 1776 and went through six printings. Volumes II and III were published in 1781; volumes IV, V, VI in 1788-89. The original volumes were published in quarto sections, a common publishing practice of the time. The work covers the history of the Roman Empire, Europe, and the Catholic Church from 98 to 1590 and discusses the decline of the Roman Empire in the East and West. Because of its relative objectivity and heavy use of primary sources, at the time its methodology became a model for later historians. This led to Gibbon being called the first "modern historian of ancient Rome". Gibbon offers an explanation for why the Roman Empire fell, a task made difficult by a lack of comprehensive written sources, though he was not the only historian to tackle the subject. According to Gibbon, the Roman Empire succumbed to barbarian invasions in large part due to the gradual loss of civic virtue among its citizens. They had become weak, outsourcing their duties to defend their Empire to barbarian mercenaries, who then became so numerous and ingrained that they were able to take over the Empire. Romans, he believed, had become effeminate, unwilling to live a tougher, "manly" military lifestyle. In addition, Gibbon argued that Christianity created a belief that a better life existed after death, which fostered an indifference to the present among Roman citizens, thus sapping their desire to sacrifice for the Empire. He also believed its comparative pacifism tended to hamper the traditional Roman martial spirit. Finally, like other Enlightenment thinkers, Gibbon held in contempt the Middle Ages as a priest-ridden, superstitious, dark age. It was not until his own age of reason and rational thought, it was believed, that human history could resume its progress. Gibbon sees the Praetorian Guard as the primary catalyst of the empire's initial decay and eventual collapse, a seed planted by Augustus at the establishment of the empire. He cites repeated examples of the Praetorian Guard abusing their power with calamitous results, including numerous instances of imperial assassination and incessant demands for increased pay.
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Additional Information

Publisher
Penguin UK
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Published on
Jun 19, 2000
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Pages
848
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ISBN
9780141906584
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Features
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Language
English
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Genres
History / Ancient / General
History / Ancient / Rome
History / Europe / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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 The great work of Gibbon is indispensable to the student of history. The literature of Europe offers no substitute for "The Decline and Fall of the Roman Empire." It has obtained undisputed possession, as rightful occupant, of the vast period which it comprehends. However some subjects, which it embraces, may have undergone more complete investigation, on the general view of the whole period, this history is the sole undisputed authority to which all defer, and from which few appeal to the original writers, or to more modern compilers. The inherent interest of the subject, the inexhaustible labor employed upon it; the immense condensation of matter; the luminous arrangement; the general accuracy; the style, which, however monotonous from its uniform stateliness, and sometimes wearisome from its elaborate art., is throughout vigorous, animated, often picturesque always commands attention, always conveys its meaning with emphatic energy, describes with singular breadth and fidelity, and generalizes with unrivalled felicity of expression; all these high qualifications have secured, and seem likely to secure, its permanent place in historic literature.

This vast design of Gibbon, the magnificent whole into which he has cast the decay and ruin of the ancient civilization, the formation and birth of the new order of things, will of itself, independent of the laborious execution of his immense plan, render "The Decline and Fall of the Roman Empire" an unapproachable subject to the future historian:* in the eloquent language of his recent French editor, M. Guizot:—

"The gradual decline of the most extraordinary dominion which has ever invaded and oppressed the world; the fall of that immense empire, erected on the ruins of so many kingdoms, republics, and states both barbarous and civilized; and forming in its turn, by its dismemberment, a multitude of states, republics, and kingdoms; the annihilation of the religion of Greece and Rome; the birth and the progress of the two new religions which have shared the most beautiful regions of the earth; the decrepitude of the ancient world, the spectacle of its expiring glory and degenerate manners; the infancy of the modern world, the picture of its first progress, of the new direction given to the mind and character of man—such a subject must necessarily fix the attention and excite the interest of men, who cannot behold with indifference those memorable epochs, during which, in the fine language of Corneille—
 The great work of Gibbon is indispensable to the student of history. The literature of Europe offers no substitute for "The Decline and Fall of the Roman Empire." It has obtained undisputed possession, as rightful occupant, of the vast period which it comprehends. However some subjects, which it embraces, may have undergone more complete investigation, on the general view of the whole period, this history is the sole undisputed authority to which all defer, and from which few appeal to the original writers, or to more modern compilers. The inherent interest of the subject, the inexhaustible labor employed upon it; the immense condensation of matter; the luminous arrangement; the general accuracy; the style, which, however monotonous from its uniform stateliness, and sometimes wearisome from its elaborate art., is throughout vigorous, animated, often picturesque always commands attention, always conveys its meaning with emphatic energy, describes with singular breadth and fidelity, and generalizes with unrivalled felicity of expression; all these high qualifications have secured, and seem likely to secure, its permanent place in historic literature.

This vast design of Gibbon, the magnificent whole into which he has cast the decay and ruin of the ancient civilization, the formation and birth of the new order of things, will of itself, independent of the laborious execution of his immense plan, render "The Decline and Fall of the Roman Empire" an unapproachable subject to the future historian:* in the eloquent language of his recent French editor, M. Guizot:—

"The gradual decline of the most extraordinary dominion which has ever invaded and oppressed the world; the fall of that immense empire, erected on the ruins of so many kingdoms, republics, and states both barbarous and civilized; and forming in its turn, by its dismemberment, a multitude of states, republics, and kingdoms; the annihilation of the religion of Greece and Rome; the birth and the progress of the two new religions which have shared the most beautiful regions of the earth; the decrepitude of the ancient world, the spectacle of its expiring glory and degenerate manners; the infancy of the modern world, the picture of its first progress, of the new direction given to the mind and character of man—such a subject must necessarily fix the attention and excite the interest of men, who cannot behold with indifference those memorable epochs, during which, in the fine language of Corneille—
 The great work of Gibbon is indispensable to the student of history. The literature of Europe offers no substitute for "The Decline and Fall of the Roman Empire." It has obtained undisputed possession, as rightful occupant, of the vast period which it comprehends. However some subjects, which it embraces, may have undergone more complete investigation, on the general view of the whole period, this history is the sole undisputed authority to which all defer, and from which few appeal to the original writers, or to more modern compilers. The inherent interest of the subject, the inexhaustible labor employed upon it; the immense condensation of matter; the luminous arrangement; the general accuracy; the style, which, however monotonous from its uniform stateliness, and sometimes wearisome from its elaborate art., is throughout vigorous, animated, often picturesque always commands attention, always conveys its meaning with emphatic energy, describes with singular breadth and fidelity, and generalizes with unrivalled felicity of expression; all these high qualifications have secured, and seem likely to secure, its permanent place in historic literature.

This vast design of Gibbon, the magnificent whole into which he has cast the decay and ruin of the ancient civilization, the formation and birth of the new order of things, will of itself, independent of the laborious execution of his immense plan, render "The Decline and Fall of the Roman Empire" an unapproachable subject to the future historian:* in the eloquent language of his recent French editor, M. Guizot:—

"The gradual decline of the most extraordinary dominion which has ever invaded and oppressed the world; the fall of that immense empire, erected on the ruins of so many kingdoms, republics, and states both barbarous and civilized; and forming in its turn, by its dismemberment, a multitude of states, republics, and kingdoms; the annihilation of the religion of Greece and Rome; the birth and the progress of the two new religions which have shared the most beautiful regions of the earth; the decrepitude of the ancient world, the spectacle of its expiring glory and degenerate manners; the infancy of the modern world, the picture of its first progress, of the new direction given to the mind and character of man—such a subject must necessarily fix the attention and excite the interest of men, who cannot behold with indifference those memorable epochs, during which, in the fine language of Corneille—
Apsimar and his party sailed directly to Constantinople, and anchored at Sycae. For a time Leontius held out, but his enemies succeeded in bribing certain officers who possessed keys of the gates to admit them near the palace of Blachernae. When the soldiers obtained admission they stripped the inhabitants of their goods and plundered their houses. It was an unfortunate year for the citizens of Constantinople. They had hardly recovered from a deadly plague which had ravaged the city for four months, when they were forced to submit to violence and pillage at the hands of the troops who were paid to defend them. We shall see this occurrence repeated before many years have elapsed. -from Chapter XIII: "Twenty Years of Anarchy" This classic two-volume history of the Later Roman Empire, first published in 1889, remains one of the most readable works on the era, and is highly recommended for students of Roman culture. Volume II explores: [ the age of Justinian [ the slaves [ changes in the provincial administration [ the geography of Europe at the end of Justinian's reign [ Byzantine art [ notes on the manners, industries, and commerce in the age of Justinian [ the Lombards in Italy [ the empire and the Franks [ literature of the sixth century [ monotheletism [ dismemberment of the empire by the Saracens [ foundation of the Bulgarian kingdom [ twenty years of anarchy [ social and religious decay in the seventh century [ the geographical aspect of Europe at the end of the eighth century [ and much, much more. British historian JOHN BAGNELL BURY (1861-1927) was professor of modern history at Cambridge. His writings, known for a readability combined with a scholarly depth, include History of Greece (1900) and Idea of Progress (1920).
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The creator of the award-winning podcast series The History of Rome and Revolutions brings to life the bloody battles, political machinations, and human drama that set the stage for the fall of the Roman Republic.
The Roman Republic was one of the most remarkable achievements in the history of civilization. Beginning as a small city-state in central Italy, Rome gradually expanded into a wider world filled with petty tyrants, barbarian chieftains, and despotic kings. Through the centuries, Rome's model of cooperative and participatory government remained remarkably durable and unmatched in the history of the ancient world.
In 146 BC, Rome finally emerged as the strongest power in the Mediterranean. But the very success of the Republic proved to be its undoing. The republican system was unable to cope with the vast empire Rome now ruled: rising economic inequality disrupted traditional ways of life, endemic social and ethnic prejudice led to clashes over citizenship and voting rights, and rampant corruption and ruthless ambition sparked violent political clashes that cracked the once indestructible foundations of the Republic.
Chronicling the years 146-78 BC, The Storm Before the Storm dives headlong into the first generation to face this treacherous new political environment. Abandoning the ancient principles of their forbearers, men like Marius, Sulla, and the Gracchi brothers set dangerous new precedents that would start the Republic on the road to destruction and provide a stark warning about what can happen to a civilization that has lost its way.
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