These questions sit at the centre of Max Harris’s ‘New Zealand project’. This book represents, from the perspective of a brilliant young New Zealander, a vision for confronting the challenges ahead. Unashamedly idealistic, The New Zealand Project arrives at a time of global upheaval that demands new conversations about our shared future.
Isolated by ocean, New Zealand's ecosystem is particularly vulnerable to introduced species. The constant arrival of new flora and fauna, via humans, wind and sea, means the biodiversity is constantly changing. Humans too have been washing up on New Zealand's shores for centuries, leading to constant shifts in demographics, culture and economics, building on strong Maori and Pakeha traditions. Auckland is now one of the most culturally diverse cities in the world. As a result, New Zealand is adjusting and evolving to create a new twenty-first century identity at the crossroads of the Pacific.
Griffith REVIEW 43: Pacific Highways, co-edited by Julianne Schultz and acclaimed New Zealand author Lloyd Jones, examines the shifting tides in New Zealand through a heady mix of essay, memoir, fiction and poetry by some of New Zealand's most exciting and innovative writers. Pacific Highways explores New Zealand's position as a hub between the Pacific, Tasman and Southern oceans, and examines the exchange of people and culture, points of resistance and overlap.
How New Zealand adapts to recent profound changes and moves forward is a matter of urgent consideration. The country's economic model is generating escalating environmental and cultural strains, but also presents great opportunities. A recent worldwide survey found the NZ education system is one of the worst at overcoming economic and social disadvantage. Auckland is home to more than a third of the (increasingly diverse) population, presenting challenges and opportunities for the whole country. Christchurch is finding inspiring new ways of reinvention. Pacific Highways asks what can be learnt, and what lessons does New Zealand offer the world?
New Zealand celebrates its unique cultural heritage, but with multiculturalism comes questions of identity, which many of the writers in Pacific Highways explore. Who decides who is a 'New Zealander'? How are Chinese immigrants accepted? Who are you if you are brought up with the strict codes and behavioural norms of your parents' country but live in another? Does immigration offer the capacity for reinvention?
New Zealand is an island nation, and oceans and rivers imbue Pacific identities. They run paths through major cities and offer courseways for stories. From migrating eels to tasty sea grapes, castaway sailors to volcanic rafts, waterways flow through the essays and stories of Pacific Highways.
Pacific Highways also celebrates the art and literature of New Zealand looking at the country's wealth of artistic and literary talent in critical essays, and includes short stories and poetry by many of New Zealand's best writers, from many backgrounds.
Pacific Highways, with support from the New Zealand Book Council and Creative New Zealand, is a profound overview of a complex Pacific nation with a polyphony of voices. It will challenge what you thought you knew, and inspire you to think again.
The Interregnum interrogates the future from the perspective of the generation who will shape it.
Contributors: Andrew Dean, Max Harris, Lamia Imam, Chloe King, Daniel Kleinsman, Edward Miller, Courtney Sina Meredith, Carrie Stoddart-Smith, Wilbur Townsend and Holly Walker.
In this book, Max Harris explores and develops principles for understanding the folk theology underlying patronal saints' day festivals, feasts of Corpus Christi, and Carnivals through a series of vivid, first-hand accounts of these festivities throughout Spain and in Puerto Rico, Mexico, Peru, Trinidad, Bolivia, and Belgium. Paying close attention to the signs encoded in folk performances, he finds in these festivals a folk theology of social justice that—however obscured by official rhetoric, by distracting theories of archaic origin, or by the performers' own need to mask their resistance to authority—is often in articulate and complex dialogue with the power structures that surround it. This discovery sheds important new light on the meanings of religious festivals celebrated from Belgium to Peru and on the sophisticated theatrical performances they embody.
Drawing on a broad range of theoretical resources, Niko Besnier approaches gossip from several angles. A detailed analysis of how Nukulaelae s people structure their gossip interactions demonstrates that this structure reflects and contributes to the atoll s political ideology, which wavers between a staunch egalitarianism and a need for hierarchy. His discussion then turns to narratives of specific events in which gossip played an important role in either enacting egalitarianism or reinforcing inequality. Embedding gossip in a broad range of communicative practices enables Besnier to develop a nuanced analysis of how gossip operates, demonstrating how it allows some to gain power while others suffer because of it. Throughout, he is particularly attentive to the ways in which anthropologists themselves are the subject and object of gossip, making his work a notable contribution to reflexive social science.
Written in an engaging and accessible style, Gossip and the Everyday Production of Politics will appeal to students and scholars of political, legal, linguistic, and psychological anthropology; social science methodology; communication, conflict, gender, and globalization studies; and Pacific Islands studies.