The Bachelor of Arts

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R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. The Bachelor of Arts is a poignant coming-of-age novel about a young man flush with first love, but whose freedom to pursue it is hindered by the fixed ideas of his traditional Hindu family. This pioneering novel, luminous in its detail and refreshingly free of artifice, is a gift to twentieth-century literature.
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About the author

R. K. Narayan (1906–2001), born and educated in India, was the author of 14 novels, numerous short stories and essays, a memoir, and three retold myths. His work, championed by Graham Greene (who became a close friend), was often compared to that of Dickens, Chekhov, Faulkner, and O'Connor, among others.
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Additional Information

Publisher
Vintage
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Published on
Jul 25, 2012
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Pages
160
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ISBN
9780345803801
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Language
English
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Genres
Fiction / Cultural Heritage
Fiction / Literary
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that if they do, they will invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature.

Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1.8 million words—seven times the combined lengths of the Iliad and Odyssey—it can be incredibly daunting.

Contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan’s masterful translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. As Wendy Doniger explains in the foreword, “Narayan tells the stories so well because they’re all his stories.” He grew up hearing them, internalizing their mythology, which gave him an innate ability to choose the right passages and their best translations.

In this elegant translation, Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.
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