And So to Murder

St. Swithin Press
2
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And So to Murder by John Dickson Carr (as Carter Dickson), a Sir Henry Merrivale mystery.

“A first-class murder mystery [and] also a ribald satire of the motion picture industry.”—The Vancouver Sun

 
DEATH RIDES THE TUBE...
   The speaking-tube whistled. Monica flew at it. “Who are you? What do you want?”
   She bent her cheek to the mouth of the tube to listen for an answer. Something was happening inside the tube. She jumped back. Something which looked like water, but was not water, spurted in a jet from the mouth of the tube. It splashed across the linoleum.
   There was a hissing, sizzling noise as half a pint of vitriol began to eat into the surface of the floor.
The footsteps in the room above began to run.

   Monica Stanton has written a saucy best-seller that has landed her her dream job, scriptwriting for a movie studio. Things turn sour quickly as she's saddled with a mentor she despises After someone makes a gruesome attempt on her life, however, her feelings begin to change about him as they are forced together during the investigation.
   Theories of Nazi “heiling enthusiasts” and espionage soon take form, leading to the entrance of Sir Henry Merrivale, who now works for Britain's Military Intelligence division. Only Sir Henry can wade through the “fat-heads” and schemers to get to the bottom of this amusing and clever mystery.

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About the author

Carr's other mysteries include Papa La Bas, Nine Wrong Answers, and Dark of the Moon.

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2.5
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Additional Information

Publisher
St. Swithin Press
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Published on
Aug 31, 2012
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Pages
230
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ISBN
9781927551394
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Features
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Language
English
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Genres
Fiction / Crime
Fiction / General
Fiction / Mystery & Detective / General
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Content Protection
This content is DRM free.
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Read Aloud
Available on Android devices
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Fatal Descent by John Dickson Carr and Cecil Street (writing as Carter Dickson and John Rhode)

Carr and Street “are such expert mystery-mongers that their collaboration could scarcely fail to produce something extra special in the bafflement line. Fatal Descent is all of that.”—The New York Times

“London publisher shot in automatic elevator. Dr. Horatio Glass and Insp. Hornbeam pool wits—and humor—to spot the killer. Neat variation of good old ‘hermetically sealed room’ problem, with two authors—and their sleuths—working beautifully in harness. Verdict: Top Drawer”—The Saturday Review

A seemingly impossible murder in a private elevator draws two sleuths to the case. Inspector Hornbeam and Dr. Horatio Glass are at odds from the beginning, each dismissive of the other’s theories, thus creating an atmosphere as much of competition as cooperation.

From the novel:
The elevator was perhaps six feet square by eight feet high, with steel walls painted to imitate bronze. Sir Ernest Tallant sat very quietly in the rear right-hand corner. His legs were outthrust stiffly, his back bent a little forward; and the brim of the rakish gray hat shaded his face. He might have been a grotesque parody of Little Jack Horner, if it had not been for the widening bloodstains on the left breast of his jacket. His umbrella lay beside him, also looking oddly childish like his posture. Under each roof corner of the elevator there was a tiny electric light; these four little lights illumined even the wrinkles on the backs of the man’s hands, and glittered on the pieces of broken glass.

Published in the United Kingdom as Drop to His Death

Fatal Descent by John Dickson Carr and Cecil Street (writing as Carter Dickson and John Rhode)

Carr and Street “are such expert mystery-mongers that their collaboration could scarcely fail to produce something extra special in the bafflement line. Fatal Descent is all of that.”—The New York Times

“London publisher shot in automatic elevator. Dr. Horatio Glass and Insp. Hornbeam pool wits—and humor—to spot the killer. Neat variation of good old ‘hermetically sealed room’ problem, with two authors—and their sleuths—working beautifully in harness. Verdict: Top Drawer”—The Saturday Review

A seemingly impossible murder in a private elevator draws two sleuths to the case. Inspector Hornbeam and Dr. Horatio Glass are at odds from the beginning, each dismissive of the other’s theories, thus creating an atmosphere as much of competition as cooperation.

From the novel:
The elevator was perhaps six feet square by eight feet high, with steel walls painted to imitate bronze. Sir Ernest Tallant sat very quietly in the rear right-hand corner. His legs were outthrust stiffly, his back bent a little forward; and the brim of the rakish gray hat shaded his face. He might have been a grotesque parody of Little Jack Horner, if it had not been for the widening bloodstains on the left breast of his jacket. His umbrella lay beside him, also looking oddly childish like his posture. Under each roof corner of the elevator there was a tiny electric light; these four little lights illumined even the wrinkles on the backs of the man’s hands, and glittered on the pieces of broken glass.

Published in the United Kingdom as Drop to His Death

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