Correspondence 1 contains 163 letters, ninety-six written by Thoreau and sixty-seven to him. Twenty-five are collected here for the first time; of those, fourteen have never before been published. These letters provide an intimate view of Thoreau's path from college student to published author. At the beginning of the volume, Thoreau is a Harvard sophomore; by the end, some of his essays and poems have appeared in periodicals and he is at work on A Week on the Concord and Merrimack Rivers and Walden. The early part of the volume documents Thoreau's friendships with college classmates and his search for work after graduation, while letters to his brother and sisters reveal warm, playful relationships among the siblings. In May 1843, Thoreau moves to Staten Island for eight months to tutor a nephew of Emerson's. This move results in the richest period of letters in the volume: thirty-two by Thoreau and nineteen to him. From 1846 through 1848, letters about publishing and lecturing provide details about Thoreau's first years as a professional author. As the volume closes, the most ruminative and philosophical of Thoreau's epistolary relationships begins, that with Harrison Gray Otis Blake. Thoreau's longer letters to Blake amount to informal lectures, and in fact Blake invited a small group of friends to readings when these arrived.
Following every letter, annotations identify correspondents, individuals mentioned, and books quoted, cited, or alluded to, and describe events to which the letters refer. A historical introduction characterizes the letters and connects them with the events of Thoreau's life, a textual introduction lays out the editorial principles and procedures followed, and a general introduction discusses the significance of letter-writing in the mid-nineteenth century and the history of the publication of Thoreau's letters. Finally, a thorough index provides comprehensive access to the letters and annotations.
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. ”
— Henry David Thoreau, Walden
One of the most beloved books in American literature, Walden is must reading for any American or anyone interested in reading great literature. But for those who go there looking for reasons Thoreau became a recluse they are sure to be disappointed. Instead, reading Walden is more of a journey to the self and how that self can live in the world. This new edition has an insightful and lyrical essay introducing the text by Sam Pickering, the inspiration for the Dead Poets Society. His essay is the most provocative piece on Walden since e. B. White.