"A dramatist celebrated for introducing expletives to the American theatre now tackles a truly taboo four-letter word. . . . Most concerned with the power and treachery of language, Mamet remains American theatre's most urgent five-letter word."—Guardian
David Mamet, who took on the subject of sexual harassment with his 1992 drama Oleanna, has once again ignited controversy, hitting the hot-button issue of our so-called post-racial society. When a rich white man is accused of raping a younger African American woman, he looks to a multicultural law firm for his defense. But even as his lawyers—one of them white, another black—begin to strategize, they must confront their own biases and assumptions about race relations in America. Currently playing to acclaim on Broadway in a production directed by Mamet, audience members may be moved to self-scrutiny by his signature gritty yet finely tuned language.
David Mamet is a playwright, director, author, essayist, screenwriter, and film director. He was awarded a Pulitzer Prize for Glengarry Glen Ross, which also received a Tony Award nomination, along with Speed-the-Plow. Other of his plays include American Buffalo, Oleanna, and The Cryptogram.
In Fifties Britain, an unmarried, pregnant girl received,not sympathy but censure and contempt. Shunned by most of her family, Sheila ended up in a Church of England home for unmarried mothers, with no apparent alternative than to give up her child for adoption. But when she held her newborn daughter in her arms for the first time, Sheila knew she had to do the unthinkable: bring up her baby on her own in a society that would condemn her for it.
Sheila Tofield is a proud grandmother living in Chichester and The Unmarried Mother is her first book. Her touching story was picked up by Penguin when she entered the hugely successful life story competition with Saga Magazine.