Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism

University of Chicago Press
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The years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn’s career to the height of Ludwig van Beethoven’s, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall. But the latter half of the eighteenth century also saw proliferating optical technologies—including magnifying instruments, magic lanterns, peepshows, and shadow-plays—that offered new performance tools, fostered musical innovation, and shaped the very idea of “pure” music. Haydn’s Sunrise, Beethoven’s Shadow is a fascinating exploration of the early romantic blending of sight and sound as encountered in popular science, street entertainments, opera, and music criticism.

Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection—composers’ treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad—could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture.
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About the author

Deirdre Loughridge is assistant professor in the Department of Music at Northeastern University.
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Additional Information

Publisher
University of Chicago Press
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Published on
Sep 6, 2016
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Pages
304
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ISBN
9780226337128
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Language
English
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Genres
History / Modern / 18th Century
Music / General
Music / Genres & Styles / Classical
Music / History & Criticism
Technology & Engineering / History
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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