A Companion to Ancient Egyptian Art

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A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art.

• Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences
• Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art
• Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works
• Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation,
• Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’

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About the author

Melinda Hartwig is the Curator of Ancient Egyptian, Nubian and Near Eastern Art at the Michael C. Carlos Museum, Emory University, and Professor Emerita, Georgia State University. She is the author of Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE (2004).
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Additional Information

Publisher
John Wiley & Sons
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Published on
Dec 23, 2014
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Pages
624
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ISBN
9781118325087
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Language
English
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Genres
History / Ancient / General
Literary Criticism / Ancient & Classical
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Content Protection
This content is DRM protected.
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Available on Android devices
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Provides a broad view of the history and current state of scholarship on the art of the ancient Near East

This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence.

Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East.

Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.

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