A2RC Architects: Brigitte D'Helft & Michel Verliefden

Images Publishing
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The work of internationally renowned, Brussels-based architectural and design firm A2RC ARCHITECTS forms a close link between art, architecture and the urban environment. Critical of attempts over the last few decades to ‘modernise’ Brussels, the firm is steadfast in its dedication to the continuing urbanisation of the city by implementing new ways of urban living. A2RC ARCHITECTS has pursued the rehabilitation of Brussels by offering full architectural services for the construction of new buildings and urban communities, particularly large-scale, mixed-use urban ensembles. It also has a strong reputation for the successful transformation, restoration, and re-adaptation of noteworthy buildings across a wide range of projects, including theatres, opera houses, museums, public parks, parliaments and congress centres. This book documents and explores the work of a firm dedicated to the future of one of Europe’s most historic and beautiful cities, but it also shows the architecture and design communities how the firm is these days working towards using its knowledge in other cities beset by similar urbanisation issues.


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About the author

The office of the internationally renowned architectural and design firm A2RC ARCHITECTS was established in Brussels (Belgium) in 1983 by architects Brigitte D’Helft and Michel Verliefden. A savoir-faire coupled with a profound knowledge of the procedures, institutions, and particularly the decision-makers in the complicated maze of the ‘Capital of Europe’ has resulted in many successfully completed projects, several being recognised on both the Belgian and the international scene by the jury of organisations such as the Règles d’Or de l’Urbanisme in Brussels, the MIPIM in Cannes (France), Europa Nostra in The Hague (The Netherlands) or the RICS in London (United Kingdom), to name a few.

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Additional Information

Publisher
Images Publishing
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Published on
Oct 31, 2016
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Pages
432
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ISBN
9781864701579
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Language
English
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Genres
Architecture / Individual Architects & Firms / General
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Content Protection
This content is DRM protected.
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Eligible for Family Library

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For the Swiss-born architect and city planner Le Corbusier (Charles-Édouard Jeanneret, 1887–1965), architecture constituted a noble art, an exalted calling in which the architect combined plastic invention, intellectual speculation, and higher mathematics to go beyond mere utilitarian needs, beyond "style," to achieve a pure creation of the spirit which established "emotional relationships by means of raw materials."
The first major exposition of his ideas appeared in Vers une Architecture (1923), a compilation of articles originally written by Le Corbusier for his own avant-garde magazine, L'Esprit Nouveau. The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.
Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."
Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians ― but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.

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