Rolling Stones: I Was There

This Day In Music Books
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The Rolling Stones: I Was There provides over 400 accounts from fans, friends and work colleagues of seeing the Stones live in concert. This book is packed with fascinating anecdotes, stories, photographs and memorabilia that have never been published before. It features accounts of the the group from its first live shows in pubs and clubs in and around London in 1962 right through to the death of Brian Jones in July 1969.
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Additional Information

Publisher
This Day In Music Books
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Published on
Nov 25, 2017
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Pages
448
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ISBN
9781787590557
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Language
English
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Genres
Music / Genres & Styles / General
Music / Genres & Styles / Pop Vocal
Music / Genres & Styles / Rock
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Content Protection
This content is DRM protected.
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Available on Android devices
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Eligible for Family Library

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Unleash and maximize the power of your PreSonus® StudioLive™ console with this official guide. Renowned engineer, producer, and author Bobby Owsinski provides a detailed look at one of the best-selling mixers of all time, revealing the tips and tricks you need to unlock its hidden capabilities and make your mixes sound better than ever. All StudioLive models are covered including the new AI Series.

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One of jazz’s leading critics gives us an invigorating, richly detailed portrait of the artists and events that have shaped the music of our time. Grounded in authority and brimming with style, Playing Changes is the first book to take the measure of this exhilarating moment: it is a compelling argument for the resiliency of the art form and a rejoinder to any claims about its calcification or demise.

“Playing changes,” in jazz parlance, has long referred to an improviser’s resourceful path through a chord progression. Playing Changes boldly expands on the idea, highlighting a host of significant changes—ideological, technological, theoretical, and practical—that jazz musicians have learned to navigate since the turn of the century. Nate Chinen, who has chronicled this evolution firsthand throughout his journalistic career, vividly sets the backdrop, charting the origins of jazz historicism and the rise of an institutional framework for the music. He traces the influence of commercialized jazz education and reflects on the implications of a globalized jazz ecology. He unpacks the synergies between jazz and postmillennial hip-hop and R&B, illuminating an emergent rhythm signature for the music. And he shows how a new generation of shape-shifting elders, including Wayne Shorter and Henry Threadgill, have moved the aesthetic center of the music.

Woven throughout the book is a vibrant cast of characters—from the saxophonists Steve Coleman and Kamasi Washington to the pianists Jason Moran and Vijay Iyer to the bassist and singer Esperanza Spalding—who have exerted an important influence on the scene. This is an adaptive new music for a complex new reality, and Playing Changes is the definitive guide.
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