Ravan And Eddie

Harper Collins
6

An extremely funny novel about two larger-than-life heroes and their bawdy, Rabelaisian adventures in post-colonial urban India. 'Nagarkar is a genuine experimentalist: he combines in his writing a tremendous instinct for storytelling with a rare openness of imagination. He is willing to go where it takes him, express it in whatever form and through whichever language. What remains constant is his subversive pleasure in fiction for its own sake. It makes him one of our most precious writers.' - AnjumHasan, The Caravan Nagarkar's second novel (is) insouciant, savage, disarming and profound... (His) imagery has the quality of switch-blades flickering in the dark alley of the narrative. (His) humour is dark, but passionate. - ManjulaPadmanabhan, The Asian Age 'Ravan and Eddie remains one of the finest books written with Mumbai as a backdrop. It's uproariously funny, outrageously irreverent ... (and) reveals the city as a character, an actor, a living being.' - PankajUpadhyaya, Mumbai Mirror 'It's bawdy, it's wicked and it's irreverent. (Ravan and Eddie) is a wild romp through a quintessential Indian institution: the chawl.' - Business World
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About the author

Kiran Nagarkar is the author of the critically acclaimed novels Ravan and Eddie, Cuckold (for which he won the Sahitya Akademi Award) and God's Little Soldier. His first book, Saat Sakkam Trechalis, written in Marathi and translated into English as Seven Sixes Are Forty-three, is considered a landmark in post-independence Indian literature. Nagarkar has also written several plays and screenplays, both in Marathi and English.
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4.5
6 total
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Additional Information

Publisher
Harper Collins
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Published on
Apr 17, 2012
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Pages
332
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ISBN
9789350294840
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Features
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Language
English
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Genres
Fiction / General
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Content Protection
This content is DRM protected.
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'Jasoda is as compelling and powerful as Nagarkar's other novels but uniquely itself in the gut-wrenching story it tells of the sordid uses of power, the suffering it causes, and the human spirit that rises above it.' - Nayantara Sahgal 'Nagarkar's storytelling genius takes us into the abyss of poverty and patriarchy - source of both inspiration and shame. Jasoda's brutal but transformative journey is the foil to counterfeit historical grandeur. With empathy turned to prose of pure steel, Nagarkar paints a modern Indian heroine.' - Mitali Saran 'A novel that stops your breath and doesn't let go until you get to the end. Jasoda: mother, murderer or saint? You'll want to put her down. But she won't let you.' - Manjula Padmanabhan 'No one can spin a yarn with such rollicking exuberance as Kiran Nagarkar, and no one exposes contemporary India's dark underbelly, in all its casual brutality, like him. Jasoda is a tour-de-force of razor-sharp observation and profound compassion, brilliantly realized.' -Ritu Menon Paar - 'mirage' country, where it is often impossible to draw the line between reality and illusion - has been suffering from a decade-long drought. Jasoda is one of the last to leave this 'arse-end of the world' with her children and mother-in-law. Since her husband claims he has important work to do for the local prince, Jasoda must make the journey to the city by the sea on her own. Meanwhile, after years of anonymity, Paar seems poised to take off. Will Jasoda return home with her children? Or stay in the city that's become home for her children? It's taken for granted that epic journeys and epics were possible only during the time of the Mahabharata, the Odyssey, or the Iliad. Even more to the point, the heroes of the epics had to, perforce, be men. The eponymous Jasoda of the novel is about to prove how wrong the assumptions are. Kiran Nagarkar's trenchant narrative traces the journey of a woman of steely resolve and gumption, making her way through an India that is patriarchal, feudal, seldom in the news, and weighed down by dehumanizing poverty.
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