Sweet Sunday: A Novel

Grove/Atlantic, Inc.
2
Free sample

1969 is a time of turmoil and murder for a New York PI in this “twisty, sometimes terrifying” novel from the author of the acclaimed Inspector Troy series (Kirkus Reviews).
 
New York PI Turner Raines is a has-been—and the things he has been include a broken Civil Rights worker, a second-rate lawyer, and a tenth-rate yippie reporter. But in 1969, as the USA is about to land a man on the moon and the Vietnam War is ripping the country to pieces, Raines is working as a skip tracer, making sure draft-dodgers are safe and sound in Canada.
 
When Raines returns from Toronto, he discovers that his oldest friend, a left-wing journalist, has been murdered, and has taken his latest powder keg of a story to his grave. Following the trail of his buddy’s death, Turner hits the road for the Texas of his childhood, confronted anew with his divided family, and blown into the dangerous path of a band of brothers from ’Nam whose secrets could not only change Turner’s life but the country itself.
 
“Lawton has done historical crime before, in his excellent . . . series about Inspector Troy, a WWII-era London police detective. This time we’re in the U.S., where . . . Lawton convincingly nails the essence of those chaotic years.” —The Seattle Times
 
“Atmospheric . . . absorbingly intelligent.” —Financial Times
 
“John Lawton writes great thrillers. . . . He can hold his own with contemporaries Alan Furst and Phillip Kerr.” —Boston Herald
 
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About the author

John Lawton is a producer/director in television who has spent much of his time interpreting the USA to the English, and occasionally vice versa. He has worked with Gore Vidal, Neil Simon, Scott Turow, Noam Chomsky, Fay Weldon, Harold Pinter, and Kathy Acker. He thinks he may well be the only TV director ever to be named in a Parliamentary Bill in the British House of Lords as an offender against taste and balance—he has also been denounced from the pulpit in Mississippi as a "Communist," but thinks that less remarkable. John Lawton spent most of the '90s in New York—among other things attending the writers' sessions at The Actors' Studio under Norman Mailer—and has visited or worked in more than half the fifty states—since 2000 he has lived in the high, wet hills of Derbyshire England, with frequent excursions into the high, dry hills of Arizona and Italy. He is the author of 1963, a social and political history of the Kennedy-Macmillan years, six thrillers in the Troy series and a stand-alone novel, Sweet Sunday. In 1995 the first Troy novel, Black Out, won the WH Smith Fresh Talent Award. In 2006 Columbia Pictures bought the fourth Troy novel Riptide. In 2007 A Little White Death was a New York Times Notable Book. In 2008 he was one of only half a dozen living English writers to be named in the London Daily Telegraph's "50 Crime Writers to Read before You Die." He has also edited the poetry of D.H. Lawrence and the stories of Joseph Conrad. He is devoted to the work of Franz Schubert, Cormac McCarthy, Art Tatum, and Barbara Gowdy.
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4.5
2 total
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Additional Information

Publisher
Grove/Atlantic, Inc.
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Published on
Nov 4, 2014
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Pages
336
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ISBN
9780802192370
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Language
English
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Genres
Fiction / Thrillers / Suspense
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Content Protection
This content is DRM protected.
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Available on Android devices
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#1 NEW YORK TIMES BESTSELLER • Family secrets come back to haunt Jack Reacher in this electrifying thriller from “a superb craftsman of suspense” (Entertainment Weekly).

Jack Reacher hits the pavement and sticks out his thumb. He plans to follow the sun on an epic trip across America, from Maine to California. He doesn’t get far. On a country road deep in the New England woods, he sees a sign to a place he has never been: the town where his father was born. He thinks, What’s one extra day? He takes the detour.

At the same moment, in the same isolated area, a car breaks down. Two young Canadians had been on their way to New York City to sell a treasure. Now they’re stranded at a lonely motel in the middle of nowhere. The owners seem almost too friendly. It’s a strange place, but it’s all there is.

The next morning, in the city clerk’s office, Reacher asks about the old family home. He’s told no one named Reacher ever lived in town. He’s always known his father left and never returned, but now Reacher wonders, Was he ever there in the first place?

As Reacher explores his father’s life, and as the Canadians face lethal dangers, strands of different stories begin to merge. Then Reacher makes a shocking discovery: The present can be tough, but the past can be tense . . . and deadly.

Praise for Past Tense

“Child is one writer who should never be taken for granted.”—The New York Times Book Review

“[Lee Child] shows no signs of slowing down. . . . Reacher is a man for whom the phrase moral compass was invented: His code determines his direction. . . . You need Jack Reacher.”—The Atlantic

“Superb . . . Child neatly interweaves multiple narratives, ratchets up the suspense (the reveal of the motel plot is delicious), and delivers a powerful, satisfying denouement. Fans will enjoy learning more of this enduring character’s roots, and Child’s spare prose continues to set a very high bar.”—Publishers Weekly (boxed and starred review)

“Another first-class entry in a series that continues to set the gold standard for aspiring thriller authors.”—Booklist (starred review)

“With his usual flair for succinctness and eye for detail, Child creates another rollicking Reacher road trip that will please fans and newcomers alike.”—Library Journal (starred review)
“A stylish spy thriller” of postwar Berlin—the first in a thrilling new series from the acclaimed author of the Inspector Troy novels (The New York Times Book Review).
 
John Wilfrid Holderness—aka Joe Wilderness—has gone from young Cockney cardsharp surviving the London Blitz to MI6 agent navigating war-ravaged Europe to his current career of “free-agent gumshoe” weathering Cold War fears and hard-luck times. Now he’s being drawn back into the secret ops business when an ex-CIA agent asks him to spearhead one last venture: smuggle a vulnerable woman out of East Berlin.
 
Arriving in Germany, it doesn’t take long for Wilderness to discover he’s become an unwitting pawn in a deadly game of atomic proportions. To survive it, Wilderness must follow a serpentine trail through his past, into the confidence of an unexpected lover, and go dangerously deep into a black market scam the likes of which Berlin has never seen.
 
The author of the acclaimed Inspector Troy series, “Lawton’s gift for atmosphere, memorable characters and intelligent plotting has been compared to John le Carré. . . . Never mind the comparisons—Lawton can stand up on his own, and Then We Take Berlin is a gem” (The Seattle Times).
 
“[The Joe Wilderness novels] are meticulously researched, tautly plotted, historical thrillers in the mold of World War II and Cold War fiction by novelists like Alan Furst, Phillip Kerr, Eric Ambler, David Downing and Joseph Kanon.” —The Wall Street Journal
 
“[It] will thrill readers with an interest in WWII and the early Cold War era.” —Publishers Weekly, starred review
 
“A wonderfully complex and nuanced thriller.” —Kirkus Reviews
#1 New York Times bestselling author Michael Connelly introduces Renee Ballard, a fierce young detective fighting to prove herself on the LAPD's toughest beat--the Late Show.
Renee Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night Ballard catches two assignments she doesn't want to part with. First, a prostitute is brutally beaten and left for dead in a parking lot. All signs point to a crime of premeditation, not passion, by someone with big evil on his mind. Then she sees a young waitress breathe her last after being caught up in a nightclub shooting. Though dubbed a peripheral victim, the waitress buys Ballard a way in, and this time she is determined not to give up at dawn. Against orders and her partner's wishes, she works both cases by day while maintaining her shift by night. As the investigations intertwine, Ballard is forced to face her own demons and confront a danger she could never have imagined. To find justice for these victims who can't speak for themselves, she must put not only her career but her life on the line. Propulsive as a jolt of adrenaline and featuring a bold and defiant new heroien, The Late Show is yet more proof that Michael Connelly is "a master of the genre" (Washington Post).
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