The Call: A Novel

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“Yannick Murphy, while being one of our most daring andoriginal writers, is first and foremost an exquisitely attuned observer ofhuman behavior. . . . Murphy’s work provides pretty much unexceededreading pleasure.” —Dave Eggers

Thewarm, wry, and patient voice of a veterinarian father tells the heartfelt storyof his young New England family enduring a moving trial of loyalty, hope, andfaith after they are confronted with an unthinkable crisis. Acclaimed author Yannick Murphy’s intimate narrative style and lovely prosewill enthrall readers of Rivka Galchen,Padgett Powell, and Murphy’s own Signed, Mata Hari.The Call is a “triumph of quiet humorand understated beauty” (Publishers Weekly, starred review) from anauthor that the New York Times Book Review calls “an extraordinarilygifted fabulist.”

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About the author

Yannick Murphy is the author of The Call; Signed, Mata Hari; Here They Come; and The Sea of Trees, as well as two story collections and several children's books. She is the recipient of a Whiting Writers' Award, a National Endowment for the Arts Award, a Chesterfield Screenwriting Award, a Pushcart Prize, and the Laurence L. & Thomas Winship/PEN New England Award. Her work has appeared in The Best American Nonrequired Reading and The O. Henry Prize Stories. She lives in Vermont with her husband and children.

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3.8
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Additional Information

Publisher
Harper Collins
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Published on
Aug 2, 2011
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Pages
240
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ISBN
9780062092496
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Language
English
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Genres
Fiction / Literary
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Content Protection
This content is DRM protected.
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Eligible for Family Library

Reading information

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J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018. 

Set in post-apartheid South Africa, J. M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. Lurie believes he has created a comfortable, if somewhat passionless, life for himself. He lives within his financial and emotional means. Though his position at the university has been reduced, he teaches his classes dutifully; and while age has diminished his attractiveness, weekly visits to a prostitute satisfy his sexual needs. He considers himself happy. But when Lurie seduces one of his students, he sets in motion a chain of events that will shatter his complacency and leave him utterly disgraced.

Lurie pursues his relationship with the young Melanie—whom he describes as having hips “as slim as a twelve-year-old’s”—obsessively and narcissistically, ignoring, on one occasion, her wish not to have sex. When Melanie and her father lodge a complaint against him, Lurie is brought before an academic committee where he admits he is guilty of all the charges but refuses to express any repentance for his acts. In the furor of the scandal, jeered at by students, threatened by Melanie’s boyfriend, ridiculed by his ex-wife, Lurie is forced to resign and flees Cape Town for his daughter Lucy’s smallholding in the country. There he struggles to rekindle his relationship with Lucy and to understand the changing relations of blacks and whites in the new South Africa. But when three black strangers appear at their house asking to make a phone call, a harrowing afternoon of violence follows which leaves both of them badly shaken and further estranged from one another. After a brief return to Cape Town, where Lurie discovers his home has also been vandalized, he decides to stay on with his daughter, who is pregnant with the child of one of her attackers. Now thoroughly humiliated, Lurie devotes himself to volunteering at the animal clinic, where he helps put down diseased and unwanted dogs. It is here, Coetzee seems to suggest, that Lurie gains a redeeming sense of compassion absent from his life up to this point.

Written with the austere clarity that has made J. M. Coetzee the winner of two Booker Prizes, Disgrace explores the downfall of one man and dramatizes, with unforgettable, at times almost unbearable, vividness the plight of a country caught in the chaotic aftermath of centuries of racial oppression.

From Yannick Murphy, award-winning author of The Call, comes a fast-paced story of murder, adultery, parenthood, and romance, involving a girls’ swim team, their morally flawed parents, and a killer who swims in their midst.

In a quiet New England community members of swim team and their dedicated parents are preparing for a home meet. The most that Annie, a swim-mom of two girls, has to worry about is whether or not she fed her daughters enough carbs the night before; why her husband, Thomas, hasn’t kissed her in ages; and why she can’t get over the loss of her brother who shot himself a few years ago.

But Annie’s world is about to change. From the bleachers, looking down at the swimmers, a dark haired man watches a girl. No one notices him. Annie is busy getting to know Paul, who flirts with Annie despite the fact that he’s married to her friend Chris, and despite Annie’s greying hair and crow’s feet. Chris is busy trying to discover whether or not Paul is really having an affair, and the swimmers are trying to shave milliseconds off their race times by squeezing themselves into skin-tight bathing suits and visualizing themselves winning their races.

When a girl on the team is murdered at a nearby highway rest stop—the same rest stop where Paul made a gruesome discovery years ago—the parents suddenly find themselves adrift. Paul turns to Annie for comfort. Annie finds herself falling in love. Chris becomes obsessed with unmasking the killer.

With a serial killer now too close for comfort, Annie and her fellow swim-parents must make choices about where their loyalties lie. As a series of startling events unfold, Annie discovers what it means to follow your intuition, even if love, as well as lives, could be lost.

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