In Lambent Traces: Franz Kafka, the preeminent American critic and translator of Franz Kafka traces the implications of Kafka's literary breakthrough. Kafka's first concern was not his responsibility to his culture but to his fate as literature, which he pursued by exploring "the limits of the human." At the same time, he kept his transcendental longings sober by noting--with incomparable irony--their virtual impossibility.
At times Kafka's passion for personal transcendence as a writer entered into a torturous and witty conflict with his desire for another sort of transcendence, one driven by a modern Gnosticism. This struggle prompted him continually to scrutinize different kinds of mediation, such as confessional writing, the dream, the media, the idea of marriage, skepticism, asceticism, and the imitation of death. Lambent Traces: Franz Kafka concludes with a reconstruction and critique of the approaches to Kafka by such major critics as Adorno, Gilman, and Deleuze and Guattari..
Although Kafka's first novel (begun in 1911 and never finished), can be read as a menacing allegory of modern life, it is also infused with a quite un-Kafkaesque blitheness and sunniness, brought to life in this lyrical translation that returns to the original manuscript of the book.