More Human Than Human: Stories of Androids, Robots, and Manufactured Humanity

Start Publishing LLC
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The idea of creating an artificial human is an old one. One of the earliest science-fictional novels, Frankenstein, concerned itself primarily with the hubris of creation, and one’s relationship to one’s creator. Later versions of this “artificial human” story (and indeed later adaptations of Frankenstein) changed the focus to more modernist questions… What is the nature of humanity? What does it mean to be human? These stories continued through the golden age of science fiction with Isaac Asimov’s I Robot story cycle, and then through post-modern iterations from new wave writers like Philip K. Dick. Today, this compelling science fiction trope persists in mass media narratives like Westworld and Ridley Scott’s Blade Runner, as well as twenty-first century science fiction novels like Charles Stross’s Saturn's Children and Paolo Bacigalupi’s The Windup Girl. The short stories in More Human than Human demonstrate the depth and breadth of artificial humanity in contemporary science fiction. Issues of passing . . . of what it is to be human . . . of autonomy and slavery and oppression, and yes, the hubris of creation; these ideas have fascinated us for at least two hundred years, and this selection of stories demonstrates why it is such an alluring and recurring conceit.
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Publisher
Start Publishing LLC
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Published on
Nov 7, 2017
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Pages
672
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ISBN
9781597806183
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Language
English
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Genres
Fiction / Science Fiction / Collections & Anthologies
Fiction / Science Fiction / General
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Content Protection
This content is DRM protected.
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Neil Clarke, publisher of the award-winning Clarkesworld magazine, presents a collection of thought-provoking and galaxy-spanning array of galactic short science fiction.

From E. E. "Doc" Smith’s Lensman, to George Lucas’ Star Wars, the politics and process of Empire have been a major subject of science fiction’s galaxy-spanning fictions. The idiom of the Galactic Empire allows science fiction writers to ask (and answer) questions that are shorn of contemporary political ideologies and allegiances. This simple narrative slight of hand allows readers and writers to see questions and answers from new and different perspectives.

The stories in this book do just that. What social, political, and economic issues do the organizing structure of “empire” address? Often the size, shape, and fates of empires are determined not only by individuals, but by geography, natural forces, and technology. As the speed of travel and rates of effective communication increase, so too does the size and reach of an Imperial bureaucracy.Sic itur ad astra—“Thus one journeys to the stars.”

At the beginning of the twentieth century, writers such as Kipling and Twain were at the forefront of these kinds of narrative observations, but as the century drew to a close, it was writers like Iain M. Banks who helped make science fiction relevant. That tradition continues today, with award-winning writers like Ann Leckie, whose 2013 debut novel Ancillary Justice hinges upon questions of imperialism and empire.

Here then is a diverse collection of stories that asks the questions that science fiction asks best. Empire: How? Why? And to what effect?

Table of Contents:
- “Winning Peace” by Paul J. McAuley
- “Night’s Slow Poison” by Ann Leckie
- “All the Painted Stars” by Gwendolyn Clare
- “Firstborn” by Brandon Sanderson
- “Riding the Crocodile” by Greg Egan
- “The Lost Princess Man” by John Barnes
- “The Waiting Stars” by Aliette de Bodard
- “Alien Archeology” by Neal Asher
- “The Muse of Empires Lost” by Paul Berger
- “Ghostweight” by Yoon Ha Lee
- “A Cold Heart” by Tobias S. Buckell
- “The Colonel Returns to the Stars” by Robert Silverberg
- “The Impossibles” by Kristine Kathryn Rusch
- “Utriusque Cosmi” by Robert Charles Wilson
- “Section Seven” by John G. Hemry
- “The Invisible Empire of Ascending Light” by Ken Scholes
- “The Man with the Golden Balloon” by Robert Reed
- “Looking Through Lace” by Ruth Nestvold
- “A Letter from the Emperor” by Steve Rasnic Tem
- “The Wayfarer’s Advice” by Melinda M. Snodgrass
- “Seven Years from Home” by Naomi Novik
- “Verthandi’s Ring” by Ian McDonald
Mars was a distant shore, and the men spread upon it in waves... Each wave different, and each wave stronger.

The Martian Chronicles

Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. In a much celebrated literary career that has spanned six decades, he has produced an astonishing body of work: unforgettable novels, including Fahrenheit 451 and Something Wicked This Way Comes; essays, theatrical works, screenplays and teleplays; The Illustrated Mein, Dandelion Wine, The October Country, and numerous other superb short story collections. But of all the dazzling stars in the vast Bradbury universe, none shines more luminous than these masterful chronicles of Earth's settlement of the fourth world from the sun.

Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn -first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars ... and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.

Ray Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grandmaster once again enthralls, delights and challenges us with his vision and his heart-starkly and stunningly exposing in brilliant spacelight our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.

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