Prepare to meet the real McFly ...
In 2003, Tom Fletcher, Danny Jones, Harry Judd and Dougie Poynter came together and formed what would become one of the most popular and successful bands in the UK. Just teenagers at the time, they were catapulted into the limelight and had to adapt quickly to their new-found fame – and everything that came with it. Now, at last, they have decided to tell their story, in full and revealing detail.
Speaking with candour and their trademark humour, Tom, Danny, Harry and Dougie share both the stories of their own lives and that of McFly. They give their personal insights into their contrasting childhoods, the individual paths that led them to the band, the struggles they have each overcome, their love lives and, of course, their music.
Packed with previously untold stories, a lot of laughter and the occasional tear, Unsaid Things offers a privileged look into the lives of four guys who started out as bandmates and became best friends. Their unique camaraderie radiates from every page and by the end of the book, you’ll know them almost as well as they know each other ...
Tom Fletcher, Danny Jones, Harry Judd and Dougie Poynter have been together as McFly since 2003. They hold the record for being the youngest band to have a debut No 1 album in the UK. Their hits include: 'Five Colours in Her Hair', 'All About You', 'Please, Please' and 'Shine a Light'. They are one of the biggest bands in the UK.
Included are an eyewitness account of that first meeting between Lennon and McCartney, the inside story of how Ringo replaced Pete Best, an exploration of the brilliant but troubled soul of manager Brian Epstein, and the real scoop on their disastrous first visit to Germany and the death of Stu Sutcliffe. With an eye for life in Liverpool during the 50's and 60's and over 65 eyewitness accounts from those closest to the Beatles, Larry Kane brings to life the
evolution of the group that changed music forever.
Pete Townshend was once asked how he prepared himself for The Who’ s violent live performances. His answer? ‘ Pretend you’ re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘ auto-destructive art’ this could have served as a motto.
Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘ I Can’ t Explain’ , ‘ My Generation’ and ‘ I Can See For Miles’ . This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties.
From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties.
As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘ rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.