Henry Mayhew had a varied career as a London writer of the mid-Victorian period. He was the son of a London solicitor, Joshua Mayhew, who reputedly was a rather tyrannous father. Apparently, Henry was a bitter disappointment to his father; the younger Mayhew had been educated at the Westminster School but, in objection to a flogging he had received, ran away from school and went to sea for a year. On his return, he was articled to his father but after three years, he abandoned the law to seek a career as a journalist and a dramatist. Mayhew achieved some early success as a dramatist, most notably with his 1834 farce, "The Wandering Minstrel." In the late 1830's, he was the joint editor of a successful satirical weekly, Figaro in London, and later helped to found Figaro's most significant and long-lived successor, Punch. Evidently, a fairly serious rift developed between Mayhew and his magazine colleagues, although the details of this falling-out remain a mystery---one of the many unanswered questions about Mayhew's life. Mayhew was never without financial worries, and, as a means of making quick money, he collaborated on a number of comic novels with his younger brother, Augustus (1826--75). Their most successful work is "The Greatest Plague of Life" (1847), which was issued in monthly numbers and proved very popular. They followed it with "Whom to Marry and How to Get Married" (1848); later Mayhew singly authored 1851, or, "The Adventures of Mr. and Mrs. Sandbags 1851," (1851). Mayhew's attempt, in 1851, to publish the 82 "letters" he had written for the Morning Chronicle, in which he investigates the plight of London's urban poor, was a financial failure. They were issued in 1861, however, in four volumes under the title London Labour and the London Poor. It is for this classic work that Mayhew is today best known. In it, he unhesitatingly depicts the opprobrium under which most of the London working classes led their lives. In many ways, London Labour and the London Poor epitomizes the Victorian tendency to be simultaneously repulsed and fascinated by the working classes, the "Great Unwashed" huddled together in the urban centers of England. Along with Edwin Chadwick and J.P. Kay-Shuttleworth, Mayhew stands as one of the earliest of urban sociologists. Although recent years have witnessed an increase in interest in Henry Mayhew, a "definitive" biography remains to be written. The introductions to his work, notably John Rosenberg's preface to the Dover facsimile edition of London Labour and the London Poor and the essays framing the edition of "The Unknown Mayhew," are good sources of information.
In this new textbook, Professor Clive Emsley provides an up-to-date assessment of changes in attitudes to crime as well as of the developments in policing, in the courts and in penal sanctions over the course of the century. He explores the impact of growing gender equality and ethnic diversity on crime and criminal justice, and looks at the way in which crime became increasingly central to political agendas in the last third of the century.
Written in a clear and accessible manner, the book examines:
Perceptions of crime and criminality across the century
Varieties of offending from murder to benefit fraud
The role of the media in constructing and reinforcing the understanding of crime and the criminal
The decline and demise of corporal and capital punishment
The shift from largely progressive to more punitive penal practice
The first serious attempt to explore the history of crime and criminal justice in twentieth-century England, this book will be an invaluable introduction to the student and interested general reader alike.
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl.
Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.