This book responds to all such debates surrounding Hinduism in the colonial and contemporary periods. It emphasizes on Hinduism as it arose and developed in the subcontinent itself—an approach which facilitates greater attention to detail and an understanding of the specific context in which new movements and changes have taken place.
Will Sweetman is Associate Professor of Asian Religions, University of Otago, New Zealand. He studied philosophy, religious studies, and theology at the Universities of Lancaster and Cambridge. He has taught at universities in London and Newcastle, and held research fellowships at the University of Halle, Germany, and the University of Cambridge. He has published three books and several articles on historical and theoretical aspects of the study of Hinduism.
Aditya Malik is Professor and Dean in the School of Historical Studies at the newly established Nalanda University, India. He was trained in philosophy, archaeology, history, social anthropology, and religious studies at St Stephen’s College, New Delhi; Deccan College, Pune; and the South Asia Institute of the University of Heidelberg, Germany. He received his PhD and Habilitation (professorial degree) in Modern Indian Studies at the University of Heidelberg. He has taught at the Universities of Heidelberg and Canterbury in New Zealand. He was Head of Religious Studies (2002– 2004) at the University of Canterbury. He has been Senior Fellow of the German Research Council, Heidelberg; Visiting Faculty, Institute for Advanced Studies, Hebrew University, Jerusalem; Visiting Professor, University of Delhi; and Fellow at the Max Weber Centre for Advanced Social Science Research, Erfurt. He was founding Deputy Director of the New Zealand South Asia Research Centre (NZSAC) and Associate Director of the New Zealand India Research Institute (NZIRI). He has numerous publications on pilgrimage; oral traditions, ritual embodiment and performance; religion, law, and justice; medieval and contemporary historiography; and secularism, religion, and modernity in South Asia.
This book is a full-length, detailed study of Badal Sircar’s life and work, with its three distinct phases: the playwriting for the proscenium stage, with path-breaking texts like Evam Indrajit, Pagla Ghoda and Baki Itihas; the departure to non-proscenium physical theatre focused on the actor, with its social critique and commitment to conscientisation; and the dissemination phase of extensive workshops and mentoring.
The Indian legendary texts call it Suvarna Bhumi or the Golden Land; its colonial masters called it Burma and its military government renamed it as Myanmar. Whatever the name might be, the country has long been in India’s cultural, historical and political consciousness. Essentially a foreign policy document, this book deals in detail with the geostrategic importance and relevance of Myanmar to India’s Look East Policy, as narrated by India’s ambassador to Myanmar during 1990–92. It is partly anecdotal and partly historical in nature, providing a first-hand account of Myanmar’s political turbulence and India’s changing policies under three different governments.